Thaís Vidal

参加作品

Venus in Nykes
Producer
I end every session more shook than the last. Because, unlike all my other patients, he shows no discomfort whatsoever with his sexual freakishness. On the contrary. I maintain my diagnosis: acute melancholia and flight from reality. He goes so deep in his delusion sometimes that he imagines he's some kind of prophet. As if he was part of a cult.
God Has AIDS
Producer
40 years after the beginning of the AIDS pandemic, seven artists and an activist doctor, all of them living with HIV, offer new images and perspectives to deal with serophobia in Brazil.
I don't live here anymore
Producer
Stop-motion animation. A short film depicting the gradual changes in a household since one of its members starts showing symptoms of Alzheimer's disease.
Swinguerra
Producer
In the sports court of a school, dancers rehearse under the watchful eye of a choreographer. Tensions haunt personal desires as they are observed by a rival troupe.
The Other Side of The Other
Production Executive
Imagine a group of children from the favela. Compare them to a group of kids from classy apartments. Teach each group to make films. Show each film to the other group. Finally, gather the children where the two groups live, so that they can play and get to know each other as equals.
Tempestade
Producer
An electrical storm was created in silence.
Renovation
Producer
Francisco is unhappy about his body.
Camocim
Producer
Every four years, the calm and peacefull Camocim de São Félix, a small town in Pernambuco (Brazil), is shaken, revealing an outpouring of joy, anger, hope and disappointment. During the municipal political campaign, the city splits into two, and everything seems to orbit around politics. In the middle of this political market, Mayara, 23, tries to make a "clean" campaign to elect his candidate and friend Cesar.
Buried Sky
Executive Producer
Luana and Wagner's father sends a letter after years of neglect. Wagner believes his father may have changed. Not Luana.
The Daytime Doorman
Producer
After exchanging glances between "good mornings" and "good afternoons", Marcelo realizes it's time to try to go further with Márcio, the doorman in his building. Two worlds will collide through these men's bodies.