Wandering samurai Nemuri Kyoshiro (Raizô Ichikawa) finds a bulls-eye on his back after befriending the shogunate's tightfisted financial adviser, Asahina, who's earned the wrath of the shogun's self-indulgent daughter for cutting off her allowance. The enraged princess promptly hatches a scheme to have Asahina bumped off -- along with his protector, Kyoshiro. Shiho Fujimura also stars in this installment of the enormously popular film series.
советник Оэ
Yoso is truly a lost classic, set in the Nara Era (710-794), from Kinugasa Teinosuke the same writer/director who gave us the recognized classic Gate of Hell (Jigokumon, 1952) & the milestone silent surrealist masterpiece A Page of Madness (Kurutta Ippeji, 1926).
[Period covered: 1582-1594]. As the film opens, the warlod Nobunaga Oda rides to Iga Ayanokuni shrine. He is asked if he thinks he has destroyed all the ninja who opposed him and answers that he suspects that there may be more. A servant brings water and tests it first. The paige dies and we hear gunshots as two ninja flee the scene. His suspicions confirmed, Nobunaga oversees the execution of captured ninja and decides that, in the future, he needs a much crueler method of execution. The daimyo Hideyoshi comes to visit.
Mokichi
勝新太郎が盲目の居合抜きの達人・座頭市を演じ、彼の代表作となった人気シリーズの第1作。博打のツボ振りと居合抜きの達人である盲目の男・座頭市は、下総飯岡の貸元・助五郎の食客となる。市は肺を患う浪人・平手造酒と知り合い友情の念を抱くが、平手は助五郎と対立する笹川一家の食客だった。やがて市と平手は、運命的な対決へと導かれていく。
Ando
大映版シリーズの第一作。富士を遠望する大菩薩峠の頂上、机竜之助は居合わせた老巡礼を一刀の下に切り捨てた。御岳山奉納試合で宇津木文之丞の命を奪った竜之助は霧の御坂で剣陣を突破すると、力ずくで手篭めにした文之丞の妻、お浜を伴って江戸へと出奔する。それは竜之助の流浪の旅の始まりだった――。
This is the story of a blind masseur who tricks people, steals, and kills; he is the anti-Zatoichi
Follows the murder of a money-lending masseur by an impoverished samurai. The slain masseur's daughter will also fall victim to his curse, so that she can become empowered as an agent of her father's vengeance.
Kikuji is the scion of an Osaka merchant family whose traditional power is matrilineal. Instructed by his overbearing mother and grandmother to give them an heiress for the family business, he stands by helplessly as his wife is thrown out of the house for producing a son. Driven to a life of dissipation - his mistresses also fail to produce daughters - in the end he is just too tired to care.
Jûdayû Kazamaki
The film won 1959 Blue Ribbon Awards for best actor Raizo Ichikawa and for best cinematography Kazuo Miyagawa. The film also won 1959 Kinema Junpo Award for best actor Raizo Ichikawa.
