Markus Schmidt

In Russia’s unwelcoming north, garages stretch out into endlessness. Behind rusty doors everything can be found, except cars. They are the refuge of the Russian man, the vanishing point out of bleak daily life and a signal of hope for big dreams.

A cruise ship and 3,000 men – it is a universe without heteros and women that usually remains a mystery to the outside world. Once a year the Dream Boat sets sail for a cruise exclusively for gay men where most passengers are united by the wish to live life authentically as themselves in a protected place.

Mali's Music defines the country's cultural identity. Radical Islamists are threatening the musicians. Together with the stars of Malian Global Pop - Fatoumata Diawara, Bassekou Kouyaté Master Soumy and Ahmed Ag Kaedi - we embark on a musical journey to Mali's agitated heart. Can their music reconcile the country?

Documentary film.

“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders

A short directed by Sebastian Winkels.