Editor
In Russia’s unwelcoming north, garages stretch out into endlessness. Behind rusty doors everything can be found, except cars. They are the refuge of the Russian man, the vanishing point out of bleak daily life and a signal of hope for big dreams.
Cinematography
Editor
오직 게이만 탑승 할 수 있는 특별한 크루즈. 꿈 같은 자유. 다양한 국가가 모인 사교의 장. 매일 밤 새로운 주제로 파티가 열리는 곳에서 승객들은 과감한 의상을 입고 육체미를 뽐내며 사랑을 하고 친구를 사귄다. 화려한 크루즈 생활 이면에는 말 못 할 개개인의 이야기가 있다. 정체성, 차별, 아픔 등의 사적인 이야기가 선실에서 오간다. 크루즈 위에서 펼쳐지는 한 주간의 화려한 여행이 시작된다. (2017년 제7회 서울프라이드영화제)
Editor
Mali's Music defines the country's cultural identity. Radical Islamists are threatening the musicians. Together with the stars of Malian Global Pop - Fatoumata Diawara, Bassekou Kouyaté Master Soumy and Ahmed Ag Kaedi - we embark on a musical journey to Mali's agitated heart. Can their music reconcile the country?
Director
Documentary film.
Editor
“The Antman” is a lovingly-made but sluggish monster-movie parody, done with German-speaking actors on a sparse soundstage standing in for 1950s Mexico. Promising concept is bolstered by colorful performances by Gotz Otto and Lars Rudolph, and the filmmakers have fun with pic’s look, right down to tacky lighting worthy of Roger Corman. But Marc Meyer’s script isn’t fast or funny enough to keep pace with energetic visuals. The first in a projected series of B-movie homages grouped as “Planet B,” the producers might want to call in Joe Dante to supervise the rest, as “Antman” seems unlikely to crawl very far beyond its native borders
Editor
A short directed by Sebastian Winkels.
