Aigars Sērmukšs

Direct and meticulous observation of interpersonal relations is a classic subject in documentary films. In this film the title of which alludes to “Hamlet”, we will observe the birth of compassion in people. Compassion is something that has to be dealt with in very rigorous terms, something that needs to be stripped of the layers of clichés that this word has amassed over the years. Is it always a true feeling or just an imitation? How does a deep compassion spring forth? Who are the true “masters of compassion” and what are they like?

Artis Baranovskis is a "registrator". He helps his clients by setting up a fake companies. An hour before leaving to his own wedding, Artis has to find Jana, who's a fake shareholder of a company with a million euros on its account. Once she's found and her looks changed to those of a rich lady, Jana realizes her power and starts to play her own game. "Right Hand Man" is a crime comedy about money, accounts and troublesome thieves.

Lame-o’s is set just before the Millennium, in 1999, and is the story of three school friends who are among the most unpopular girls in their class. The friends are determined to radically change the situation. The three friends at the centre of the story are Sarmīte, Sveta and Katrīna, who are studying in the last class of the secondary school. The upcoming Millennium and their approaching graduation make them undertake various measures to become appreciated and liked, which eventually challenge their friendship.

Moving from Latvia to exotic Indonesia has proven to be quite a challenge for Paula’s (10) family. Her Mother has a hard time adapting to the country. Her sister, Kate (14), is entering puberty, and her Father’s workaholic nature is causing tension in the family. Luckily, the local boy Akhim (12) offers a ray of hope by telling Paula about special Shaman living in the jungle who has a superpower to bring Christmas everywhere. That must be Santa Claus himself! Kids join on a joyful adventure to find Christmas in the Jungle!

Film takes us deep inside the world of Latvian teenagers in 90s: combining the intimate diary of a teenager Jānis trying to find himself by joining a subculture, as well as a skillful, detailed and almost documentary-like depiction of the beginnings of the second independence of Latvia. “Jelgava ’94” is a portrait of a generation in the 1990s who are searching for their own identity and are fans of alternative culture. This is a touching story about us as youngsters, when everybody is against the whole world and tries not to become “one of them”. But can one keep the promise? The story is based on the best seller by Jānis Joņevs set in the 1994 in the Latvian city of Jelgava.

As a young Soviet student in 1978, Ieva could not have predicted that a holiday visit to her father, Imants Lesinskis, then working in the Soviet mission at the United Nations in New York City, would irreversibly split her life in two. Entangled in a dark spy game, Ieva is forced to leave her former life behind, never to see her mother or her homeland of Latvia again. Pulling back the curtain on the shady behind-the-scenes world of the Cold War, this film tells a daughter's dramatic story of her double-agent father, exploring their relationship against the backdrop of events which have their roots over four decades ago. In order to find herself and understand the game she was part of, Ieva sets out on a journey to the past, confronting family secrets, lies and betrayal.

During Latvia’s centennial year, 15 filmmakers created each his own film portrait of a person living in Latvia on the background of centenary events. Documentary 2018 combines these stories into a unique poetic vision based on analogy with the documentary 235 000 000, a classic of the Riga school of poetic documentary cinema. This film is an attempt to make sure whether the codes of the poetic cinema are still relevant and accessible today.

Latvian artist Miķelis Fišers, one of the brightest artists of his generation, leaves everything to go to Latin America to find inspiration for his creative work and disappears. His friend, film director Mārtiņš Grauds decides to search for him. The film reveals a moment of artistic creation. The filming crew has been looking for the artist in Peru, Mexico, Bolivia, Finland, Italy and Latvia.

1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.

1940. On the border between Latvia and the USSR, a woman is killed in front of her house as she tried to protect her son from the liberating attack of the Soviets. Almost 80 years later, the archive photo bearing witness to this news item and representing a collateral victim of the European Union’s founding conflict forms the starting point for a journey undertaken by Davis Sīmanis. He navigates from one side to the other of this border, which today represents another separation, one that is geographical but also cultural: between Europe and Russia.

A tragicomic tale about the relationship of Guna and the twice older writer Gints. Guna has lost her job, but Gints hasn’t written anything in years. Whilst running away from an unsatisfactory relationship and the lack of creative self-expression, Guna gets obsessed with the theatre performance “Odyssey” by the famous director Viestur Kairish and begins to mix reality with theatre. Guna tries to start a new life, but her fantasy world doesn’t allow her to be a part of reality anymore.

Billy Joe lives in a small town and his biggest dream is to become a famous country musician. All he wants is to participate in the Bauska Country Festival, forgetting about the needs of his girlfriend and reality as such.

An upbeat comedy about three boys that escape from Soviet Estonia to Sweden via Finland in the 1980s to fulfill their dreams in the free world.

Six theater and hip hop teachers take on a five month challenge to show the Latvian public that young men behind bars are more than just that. While seeming impatient, full of disbelief and even rude at first, it turns out to be a superficial impression given off by their masks that must be kept on at all time as an underage colony is a difficult place to be. It has its own rules and it’s not easy being creative there. Teachers help inmates reveal the talents within them that help transcending the monotony of the prison walls.

The closed microcosm of garage co-ops, where the socio-economic environment has blended with personal space, provides a step back in time. Men are still boys, but their tinkering is both the trade and hobby of individual entrepreneurs, since self-exploitation as leisure time activity is a time capsule where neoliberalism has enclosed the postindustrial proletariat. Inventors, geniuses, crazy scientists, and men with golden hands - you will find them in garages.

For 91-year-old Ruta acting is not just a career: it is her lifestyle. Once again, she starts working on a new role. This time the theme of the play provokes questions about her own life: how does one deal with ageing? And, most importantly, - is there a specific time when an actress should leave the stage?

The film tells about an active senior, Mārtiņš Ziebergs (65), who is spending his old days and retirement looking for lost people; there are hundreds of them in Latvia. Following his activities, the film discloses both the everyday routine of the senior – life of “a detective” and process of investigation – as well as the outcome of it – unexpected reunions of the ones who have been searching for each other for years and also unmade reunions or cases never solved.

Three friends have lost a member of their group and go looking for him. It appears he might be the man in one of the toilet cubicles...

A father who has just been released from prison strives to reconnect with his son. Good intentions are hindered by unexpected obstacles. An unforgettable day spent by the two together might turn into the very last day for one of them.

Seven versions of Riga, the city on the Baltic Sea, and its features as seen by outstanding European film directors: Sergei Loznitsa (The Old Jewish Cemetery), Ivars Seleckis (On Ķīpsala), Audrius Stonys (Riga Boats), Jaak Kilmi (Littering Prohibited!), Jon Bang Karlsen (Cats in Riga), Rainer Komers (Daugava Delta), and Bettina Henkel (Theatre Street 6).

'Vadātājs' is an ancient Latvian mythological creature that leads people to Nowhere. As Latvia has been declared the most superstitious country in the EU, it is important to understand – what do we believe in? Three young filmmakers – a director, cinematographer and sound girl – question if Latvia is a lost country and if a Vadātājs has achieved enormous power by leading Latvian society into confusion. A search for a contemporary Vadātājs*, and the understanding of the origins of confusion within people in the 21st century.

Regularly hanging upside-down improves one’s sex life, while loss of consciousness should be used for self-development. These are views expressed by those who Vilhelms meet one evening on the way to work as night-watchman. But the reserved, worry-ridden young man goes on a radically different path to change his life.

Regularly hanging upside-down improves one’s sex life, while loss of consciousness should be used for self-development. These are views expressed by those who Vilhelms meet one evening on the way to work as night-watchman. But the reserved, worry-ridden young man goes on a radically different path to change his life.