Anastasia Arseni

参加作品

Eyes of Night
Costume Design
Chronis, Vaillia and Elftheria are not "IN." They are not featured in glossy magazines. They don't have perfect bodies, they don't make love on the first date. These three characters will cross paths.
Eyes of Night
Set Decoration
Chronis, Vaillia and Elftheria are not "IN." They are not featured in glossy magazines. They don't have perfect bodies, they don't make love on the first date. These three characters will cross paths.
Signs & Wonders
Art Direction
Under the influence of signs and premonitions, a man allows himself to veer in and out of a love affair with his colleague.
The Hours: A Square Film
Costume Design
The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.
The Hours: A Square Film
Set Decoration
The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.
Quiet Days in August
Set Decoration
The stories of three lonely people surviving a sweltering summertime in Athens are interwoven in this gentle romantic drama. Nikos used to be a merchant seaman, traveling around the globe to exotic places and testing his wits and his mettle in different situations. Now he is retired, living in Athens with his wife whom he no longer loves. While at the train station, he encounters a woman who faints more or less into his arms. From her, he learns that this day has already been special to her for two reasons: her husband just died, and it is her birthday. Curiously, this meeting sparks new life in him. Another man suffering through the hot Athens summer is a bank employee who gets calls every day at four p.m. from a woman who seeks to arouse him. What she succeeds in doing is rousing his curiosity, which he is likely to regret giving in to.
Quiet Days in August
Costume Design
The stories of three lonely people surviving a sweltering summertime in Athens are interwoven in this gentle romantic drama. Nikos used to be a merchant seaman, traveling around the globe to exotic places and testing his wits and his mettle in different situations. Now he is retired, living in Athens with his wife whom he no longer loves. While at the train station, he encounters a woman who faints more or less into his arms. From her, he learns that this day has already been special to her for two reasons: her husband just died, and it is her birthday. Curiously, this meeting sparks new life in him. Another man suffering through the hot Athens summer is a bank employee who gets calls every day at four p.m. from a woman who seeks to arouse him. What she succeeds in doing is rousing his curiosity, which he is likely to regret giving in to.
Landscape in the Mist
Costume Design
Two children search for their father who is supposed to live in Germany. Their obsession for this father figure will take them to the boundaries between childhood and adolescence.
Style
Costume Design
Lampros is 28 years old, an assistant who wants to become an executive. Lately, he has directed some commercials. Katerina is cute, sensitive, sexy - not beautiful, but there's something in her..Mihalis comes from a good family. He is a bit older than the other two and he starts caring about his career. On the other hand, Katerina and Lampros prefer to see life as a fantasy.
Style
Set Decoration
Lampros is 28 years old, an assistant who wants to become an executive. Lately, he has directed some commercials. Katerina is cute, sensitive, sexy - not beautiful, but there's something in her..Mihalis comes from a good family. He is a bit older than the other two and he starts caring about his career. On the other hand, Katerina and Lampros prefer to see life as a fantasy.
John the Violent
Set Designer
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.