Costume Design
Chronis, Vaillia and Elftheria are not "IN." They are not featured in glossy magazines. They don't have perfect bodies, they don't make love on the first date. These three characters will cross paths.
Set Decoration
Chronis, Vaillia and Elftheria are not "IN." They are not featured in glossy magazines. They don't have perfect bodies, they don't make love on the first date. These three characters will cross paths.
Art Direction
Under the influence of signs and premonitions, a man allows himself to veer in and out of a love affair with his colleague.
Costume Design
The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.
Set Decoration
The painful passage from being imprisoned in the extortionate dilemmas of familial and sexual relationships to accepting a personal point of view. A narrative constructed on the associative structure of memory and dream.
Set Decoration
The stories of three lonely people surviving a sweltering summertime in Athens are interwoven in this gentle romantic drama. Nikos used to be a merchant seaman, traveling around the globe to exotic places and testing his wits and his mettle in different situations. Now he is retired, living in Athens with his wife whom he no longer loves. While at the train station, he encounters a woman who faints more or less into his arms. From her, he learns that this day has already been special to her for two reasons: her husband just died, and it is her birthday. Curiously, this meeting sparks new life in him. Another man suffering through the hot Athens summer is a bank employee who gets calls every day at four p.m. from a woman who seeks to arouse him. What she succeeds in doing is rousing his curiosity, which he is likely to regret giving in to.
Costume Design
The stories of three lonely people surviving a sweltering summertime in Athens are interwoven in this gentle romantic drama. Nikos used to be a merchant seaman, traveling around the globe to exotic places and testing his wits and his mettle in different situations. Now he is retired, living in Athens with his wife whom he no longer loves. While at the train station, he encounters a woman who faints more or less into his arms. From her, he learns that this day has already been special to her for two reasons: her husband just died, and it is her birthday. Curiously, this meeting sparks new life in him. Another man suffering through the hot Athens summer is a bank employee who gets calls every day at four p.m. from a woman who seeks to arouse him. What she succeeds in doing is rousing his curiosity, which he is likely to regret giving in to.
Costume Design
엄마와 함께 살고 있는 불라와 알렉산더 남매는 얼굴도 본 적이 없는 아빠를 찾아 무작정 북쪽으로 가는 기차에 승차한다. 기차에서 내려 정처없이 걸어서 여행을 계속하다가 트럭을 얻어타는 두 남매. 전날 밤 레스토랑의 종업원에게 추근거리다가 무안을 당한 트럭 운전사에 의해 어린 소녀 불라는 트럭 안에서 강간을 당한다. 결혼식 날 슬피 우는 신부와 거리에서 사람들의 무관심 속에 죽어가는 말, 공연장이 없어 뿔뿔이 흩어지는 유랑극단 등 슬프고 우수에 찬 그리스의 현실들이 두 남매의 여정을 스쳐간다. 유랑극단에서 일하고 있는 청년, 오레스테스를 향한 첫사랑의 벅찬 감정을 경험한 어린 소녀 불라는 강간의 상처와 첫사랑의 애틋함 사이에서 고통스러워한다. 그러다 오레스테스가 동성연애자임을 알게 된 불라는 절망하면서 그의 곁을 떠나간다. 그들을 뒤쫓아온 오레스테스의 가슴에 안겨 흐느껴 울면서 첫사랑과 가슴아픈 이별을 한 불라와 알렉산더는 아빠를 찾기 위한 여행을 계속하는데..
Costume Design
Lampros is 28 years old, an assistant who wants to become an executive. Lately, he has directed some commercials. Katerina is cute, sensitive, sexy - not beautiful, but there's something in her..Mihalis comes from a good family. He is a bit older than the other two and he starts caring about his career. On the other hand, Katerina and Lampros prefer to see life as a fantasy.
Set Decoration
Lampros is 28 years old, an assistant who wants to become an executive. Lately, he has directed some commercials. Katerina is cute, sensitive, sexy - not beautiful, but there's something in her..Mihalis comes from a good family. He is a bit older than the other two and he starts caring about his career. On the other hand, Katerina and Lampros prefer to see life as a fantasy.
Set Designer
At midnight, on a deserted Athenian street, a beautiful woman named Eleni Chalkia is fatally stabbed by a stranger, who immediately disappears into the shadows. The murderer is Ioannis Zachos (Manos Logiadis), a young man lacking in both mental and sexual stability, who lives out his erotic fantasies through purifying violence. He often fantasizes about killing beautiful women, in this way compensating for his deficient manhood and satisfying his passion for power. When he is arrested, he immediately confesses his crimes, which is a relief to the police, who have been accused of gross ineptitude by the press. During the trial that follows, the relentless question, “who is ultimately guilty? Man or society?” is again raised.
