Giorgos Konstas

At the time of the Greek junta, in an isolated army camp, a lieutenant forces a soldier to teach him the tango in order to ask the wife of his Colonel to dance with him.

One night, a woman and a man in a house, while outside the city lives and entertains.

A group of men in their sixties that spend the August nights in Athens outside a pharmacy during night shift, an ambulance driver who has an affair with a younger girl, a middle-aged couple who have invented a lie to renew their passion for one another, a child pretending to sleepwalk in the streets of Athens, two younger people who are tied together in an office after a burglar attack, and other amorous encounters during the same night.

Nicolas is a shepherd. He is around twenty years old, thin and spirited. Constantina is eighteen years old. Constantina fell in love with Nikolas the very first time she saw him with his lyre at the bull sacrifice ritual. She entered the whirlpool of ecstasy and became his lover. Their relationship was clearly physical, all other things were setting them apart. Constantina decides that they should break up. "We come from different places and head in different directions", she says. When she finds out that she is pregnant, she does not tell Nikolas.

"A," a Greek filmmaker living in exile in the United States, returns to his native Ptolemas to attend a special screening of one of his extremely controversial films. But A's real interest lies elsewhere--the mythical reels of the very first film shot by the Manakia brothers, who, at the dawn of the age of cinema, tirelessly criss-crossed the Balkans and, without regard for national and ethnic strife, recorded the region's history and customs. Did these primitive, never-developed images really exist?

One woman's lonely search for the truth about her mother's murder.

This is a series of intersecting stories. A petty crook and former lover of a lazy ingénue steals the box-office receipts from the Odeon of Herodus Atticus, on the day an important football game is also taking place. There is also the story of the half-mad mother of the ingénue who refuses to put shoes on because she believes that shoes lead people astray. An eccentric grave-digger produces a two-seater coffin for couple-victims of car accidents. The film also tells the story of one of the Odeon's cleaning women and of a watermelon that goes all around the city, pursued by a tired theater technician and his sister, who is a tour guide. The impresario conducts an inquiry after the theft, but the thief and his two associates, the ingénue and the technician, use what was stolen to set up a small theatre. Small everyday stories and comic incidents combine to create a portrait of modern-day Athens.

In a dystopian society after an unexpected epidemic citizens can't have dreams. Only few people are privillaged to dream. They operate small underground companies where they can have other people dreams.

Spying a lissome young woman standing topless on a nearby balcony, Giorgos (Andreas Barcoulis) climbs up onto a nearby rooftop to get a better look. At a critical moment in his climb, his family and friends call out to him and he falls, suffering a terrible blow to the head. Ineed, at the hospital, the family is told that he is brain dead, and that if they like, his heart can be given to someone else as a transplant. Giorgos' grieving wife (Betty Livanou) agrees to this arrangement. The film now follows the recipient of the dead man's heart (Giorgos Constas), as he wanders all over Greece, driven by his newly lusty heart into the arms of many beautiful women. Eventually he is led to the one woman his new heart truly loved, Giorgios' wife.

In his film, Menelaos Karamaghiolis attempts to trace the evolution of the gypsy race in Europe, particularly in Greece, through four different points of view. These are expressed in the narrations of four people: the Teacher, the Photographer, Tamara, the old gypsy lady and the young girl Aima.

Something changes in the relationship of Achilleas and Anna when she starts to dream vividly and insists on relating her dreams to her husband. He is a barrister in the middle of an important murder trial and his temper becomes frayed with Anna's seeming indifference and involvement and preoccupation with her dream world.

An actor's troupe puts up a variety show.