Werner Giesen

参加作品

Cazadora
Cinematography
Psychological thriller where the character's strength, submerged in the landscape's majesty, leads us through a tense, bleak and chilling path.
White on White
Mercenary
In the prelude of the twentieth century, Pedro arrives in Tierra del Fuego, an hostile and violent territory, to immortalise the marriage of a powerful landowner. Fascinated by the beauty of the bride-to-be, he betrays the rules and is left to face the land, crawling with violence and marked by the genocide of the land indigenous.
Tomás
Camera Operator
A film improvisation exercise, shooting during 12 hours and 3 cameras. A story create on set.
Dios me libre
Focus Puller
Cousins Lenin and Jonás never had contact in 15 years. Lenin made a fortune as drug dealer. Jonás was formed as a religious pastor, but in the shadow of his father. Both join forces to form a new religious sect: the Transprofética Church.
La colorina
Director
Portrait of the Chilean poet Stella Díaz Varín (1926 -2006), who was called “La colorina” because of her red hair. Anarchist, communist, agitator, boxer, grandmother, alcoholic — the first punk in history, as it were. Based on accounts of fellow-travelers.
Monos con navaja
Camera Operator
A corrupt mayor, his undercover agents and two rival gangs of drug traffickers. This dangerous cocktail serves as the basis for a thriller accented with black humor and high impact dialogues. It shows in a dynamic and contemporary style the underworld of drug trafficking in Latin America and its effects on society.
La chica del Crillón
First Assistant Camera
Teresa is a girl from Chilean aristocracy. She lives a double life, at day she dresses very elegant and fancy, while at night she assist to high society meetings at the Crillon Hotel in Santiago, where diplomats and wealthy people meet. However, her family is economically ruined after a bad sale of her father's mines and they have to live at Romero Street, where the working class lives.