Werner Giesen

Filmes

Cazadora
Cinematography
Psychological thriller where the character's strength, submerged in the landscape's majesty, leads us through a tense, bleak and chilling path.
White on White
Mercenary
Final do século XIX. Pedro chega à Terra do Fogo para fotografar o casamento de um latifundiário. Ao fotografar a beleza da noiva, Pedro trai o poder dominante e é forçado a participar de uma nova sociedade que está sendo construída em torno do genocídio do povo Selknam.
Tomás
Camera Operator
A film improvisation exercise, shooting during 12 hours and 3 cameras. A story create on set.
Dios me libre
Focus Puller
Cousins Lenin and Jonás never had contact in 15 years. Lenin made a fortune as drug dealer. Jonás was formed as a religious pastor, but in the shadow of his father. Both join forces to form a new religious sect: the Transprofética Church.
La colorina
Director
Portrait of the Chilean poet Stella Díaz Varín (1926 -2006), who was called “La colorina” because of her red hair. Anarchist, communist, agitator, boxer, grandmother, alcoholic — the first punk in history, as it were. Based on accounts of fellow-travelers.
Monos con navaja
Camera Operator
A corrupt mayor, his undercover agents and two rival gangs of drug traffickers. This dangerous cocktail serves as the basis for a thriller accented with black humor and high impact dialogues. It shows in a dynamic and contemporary style the underworld of drug trafficking in Latin America and its effects on society.
La chica del Crillón
First Assistant Camera
Teresa is a girl from Chilean aristocracy. She lives a double life, at day she dresses very elegant and fancy, while at night she assist to high society meetings at the Crillon Hotel in Santiago, where diplomats and wealthy people meet. However, her family is economically ruined after a bad sale of her father's mines and they have to live at Romero Street, where the working class lives.