Art Direction
英国のとある養鶏場。強欲な女主人ミセス・トゥイーディーの支配下、ここのメンドリたちは囚人のような毎日を送っていた。仕事といえば卵を産むことだけで、産めなくなったら食用チキンにされる運命。そんな人生に疑問を感じたジンジャーは、真のニワトリ人生を求め、今日も脱走計画を練っていた。そんなある日、空からオンドリが降ってきて養鶏場に墜落。それを見たジンジャーは「空を飛ぶ練習をすればいいんだ！」と閃く。
Scenic Artist
Wallace's whirlwind romance with the proprietor of the local wool shop puts his head in a spin, and Gromit is framed for sheep-rustling in a fiendish criminal plot.
Scenic Artist
Wallace rents out Gromit's former bedroom to a penguin, who takes up an interest in the techno pants created by Wallace. However, Gromit later learns that the penguin is a wanted criminal.
Scenic Artist
The hand of God fashions Adam out of the clay of Earth and places him on a small and empty planet. Each of Adam's actions - at first he can't stand up, then he barks like a dog, then he sleeps - requires God's intervention. After Adam discovers how small the planet is, how little there is to do, and God's unwillingness to let him leave the Earth, he is depressed, lonely and disconsolate. So God asks Adam's patience for a few minutes while He fashions a companion for Adam. Adam is delighted: he dons a bow tie, uses mouthwash, and finds a bouquet of flowers. Is God thinking what Adam is thinking?
Costume Design
A graphic interpretation of a man's fascination with weaponry and the sexual power of military aggression, via the story of the Grim Reaper acquiring additional weaponry after undergoing a sex change. Using a combination of live action, laser xerography, hand rendering, and model animation, the film is a companion piece to another Anderson / Hoban collaboration, Door, collectively entitled Deadtime Stories For Big Folk.
