Gladys Joujou
略歴
Gladys Joujou is a well respected film editor based in Paris, France. She began her career over 10 years ago and has worked on numerous feature length and short narrative and documentary films. She is fluent in French, English and Arabic. Her credits include: Oliver Stone’s Alexander with Angelina Jolie and Colin Farrell, Michel Kammoun’s award winning film, Falafel, and Randall Wallace’s The Man in the Iron Mask with Leonardo DiCaprio, and Jacques Doillon’s Raja.
Editor
Editor
In Burkina Faso, young men look under the earth for gold – and a better future. As a result, 16-year-old Rasmané barely seems like a teenager any more. This mainly observational film follows him into the 100-metre abyss of small-scale mining.
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The news is full of images of overcrowded boats and vast tent camps. But how much do we really know about what refugees are going through? Notes on Displacement takes a deep dive by following a single family on a grueling journey, destination Germany. Their fear, disorientation, and solidarity is palpable.
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Filmmakers Ibrahim, Suliman, Eltayeb and Manar, close friends for many years, left their motherland in the sixties and seventies to study film abroad and founded the Sudanese Film Group in 1989. After years of distance and exile, they are reunited, hoping to finally make their old dream come true: to bring back cinema to Sudan by reopening the Halfaia Cinema, a dilapidated theater in Khartoum.
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A mother attempts to keep her family safe as war rages and a sniper lies in wait outside her home.
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A set-up for an experiment in an empty room. Former inmates reconstruct an Israeli secret service interrogation centre. These Palestinian men use role play to come to terms with their memories and the humiliation they have experienced.
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The film tells the compelling and moving stories of two remarkable young women living in Gaza and the struggle of Gazans trying to maintain their humanity and humor while hoping to find some sense of normality in a world that is anything but normal.
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Editor
Everything bad that can happen on the way to a party happens to young Tou on this nighttime trip though Beirut.
Editor
それは多くの人々にとって多くのことでした：若者の野心、勇気、慢に満ちたハンサムな戦士王は、小さな軍隊を巨大なペルシャ軍に導きました...息子は必死に厳しい父親の承認を求めて、 戦い、そしてそれに対する彼の忠誠心と彼の母親への愛の間で苦労しました...戦いに決して負けず、彼の兵士を既知の世界の果てまで押し付けた冷酷な征服者...夢、偉業、運命が残された幻想家 歴史上の彼らのマークは、今日の世界を形作るのに役立ちます。 彼はそれ以上でした。 彼はアレキサンダー大王でした。
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Ring of fire keeps a sense of menace to the end, the atmosphere is tense. There is no safe haven, and Beirut of yesterday becomes a chilling image of our world at war today .
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Raja is a nineteen year old orphan literally and figuratively scarred by life. Fred is an emotionally bankrupt westerner living amid his plush gardens and palm trees. Set against the backdrop of contemporary Marrakech, Raja is a cross-cultural drama about a wealthy middle-aged Frenchman's complex relationship with this poor local girl. Fred's attempts to seduce Raja, and their mutual attempts at manipulation, are fractured by their gross disparity of income, age and cultural sophistication.
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Tangier has an open identity on the Strait of Gibraltar. The border here is a presence: it is water. Opposite, Spain. Candidates for illegal departure flock without interruption to Tangier. The film follows the adventure of a few ready to "burn" their identity, to cross or die...
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In Beirut, the destinies of several thirtysomethings (an architect, a tour guide, a mystic, a radio operator, and an exile returned home) collide.
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A simple car trip is beset by politically charged tension and a militarized reality.
