Robert Leib

Sweden, 1849. A poverty-stricken family decides to move to America in the hope of finding a better and more prosperous life. Although they know the journey will be dangerous and the pressure of facing a new life in a strange and wild land is great, they are determined to succeed.

Markus returns home to care for his daughter when his wife dies in a tragic train accident. However, when a survivor of the wreck surfaces and claims foul play, Markus suspects his wife was murdered and embarks on a mission to find those responsible.

Nelly and her dog London are about to spend autumn break with her uncle Hannibal. Soon she noticed that he doesn't live a quiet life. Her uncle is a Monster agent. Nelly gets dragged in to an adventure filled with ghosts, vampires and werewolves.

冴えない高校教師マーティンとその同僚３人は、ノルウェー人哲学者の「血中アルコール濃度を一定に保つと仕事の効率が良くなり想像力がみなぎる」という理論を証明するため実験をすることに。朝から酒を飲み続け常に酔った状態を保つと、授業も楽しくなり、生き生きとする。だが、すべての行動には結果が伴うのだったー。

Hanna's world turns upside down when her dad, the priest, reveals that he wants to be a woman.

In 1973, five men and six women drifted across the Atlantic on a raft as part of a scientific experiment exploring the origins of violence and sexual attraction. Nobody expected what ultimately took place on that 3-month journey. Through archive material and a reunion of the surviving members of the expedition, this film tells the hidden story of the project.

The girlfriend Klara has recently fallen in love and wants nothing more than to hang out with her boyfriend. The mother-of-two Anna clocks how long it takes for her husband to cook baby formula. The ex-wife Vera can't let go of her ex-husband. The feature-film debuting Katja Wik presents a squib right on the money about women's tendency to, both consciously and unconsciously, limit themselves in their close relationships of two. Each frame conveys the film's theme of power manipulation and Katja Wik's neologism "victim-mentality rhetoric" (offerrollsretorik) is used by all parties as an effective weapon. Without stagnating in bitterness, The Ex-wife serves as a funhouse mirror reflecting this disturbing trait, which most of us can recognize, but which few dare to acknowledge