Asad Asadov

The film takes place in the Azerbaijani capital of Baku at the end of the 1980s. At this time, the Soviet Union was starting to fall apart, and with this came the start of a number of ethnic conflicts. Fariz and his family move into a Baku apartment block from war-torn Nagorno-Karabakh. Fariz's relations with his new neighbors are strained by his accusations that it was people like them who failed to support the Azeris in their conflict with ethnic Armenians. The only one who stands up to him is Alik, who acts as peacemaker between him and the older inhabitants of the building. Alik has no reservations about brandishing his gun in order to keep the peace. One day, the apartment managers want to evict a number of musicians who have been squatting in the basement. Alik gets involved, but soon discovers the situation is more complicated that he first believed.

The film is about the inner suffering and conflictions of Yavar, father of a soldier, who can't give the news of his son's death in the war to his heart-sick wife.

During the late 1980s and early 1990s the Armenian minority in Nagorono-Karabakh attempted to break away from Azerbaijan, one of the former Soviet republics. Overnight these former neighbors became enemies, and simple village folk were suddenly made hostages in a complex power game. One of the Azerbaijani villages right on the border is home to the family of the peasant farmer Kerim, who has just been captured by the Armenians. The village council decides to take an Armenian in order to arrange a hostage exchange. They imprison the wounded man in the barn next to Kerim's house, where his wife and three children desperately await the husband's return. The captive from the other side of the border finds himself in exactly the same situation - he, too, has three children, he finds it hard to scrape a living together, he has never done anything to harm anyone and, like Kerim, he just wants to go back home. But life in Karabakh is far more complex now. Blood calls for blood.

A man goes to prison for years for a crime his cousin committed. After his release he moves to his native village and lives a simple life. But when his cousin comes to visit, his old thoughts of revenge return.

An old violinist thinks over his past life on the eve of the 80th birthday. His reflections result in looking for once composed but then forgotten melody. A chance meeting with dancer Rena takes him away to his lost love. He realizes that a person who has betrayed himself is doomed to tragic finale.

Shot during the Nagorno-Karabakh War, "Fəryad" is only one of its kind. Following the Khojaly Massacre, Ismayil, an officer tasked with collecting the bodies, crosses enemy lines to avenge the brutal murder of a local schoolgirl. There he gets captured by Armenians and waits for the day to be exchanged for an enemy POW.

Film exposes the corruption and the decadence of the late Soviet bureaucracy in Azerbaijan SSR through the eyes of a naive Azerbaijani adult man, Hatem.

A young boy through a period of transition. His last baby tooth, which symbolises this period, is sore. He is scared of pulling it out, of saying goodbye to his dead mother and to his childhood. No one understands him, be is deprived from material physical affection. He himself does not understand his father who has brought another woman home. He feels this is an act of betrayal towards his dead mother.

The film is about commissary Chingiz Ildirim.

The events in the film take place in one of the modern cities. The editor-in-chief Rustam Agayev (Egit Iskenderov) finds an ancient lamp placed in the jaw. For the talented but poor character Rustam, this lamp shatters the sky. With the help of jinn, the young man suceeds: his play is made on anchor; his girlfriend, Maya (Natalia Tagiyeva), agrees to marry him, and the bar is in the apartment. But Rustam wants to achieve everything. When the jinn throws away his "owner," he unveils the secret: a person must believe in his own power, and there must be a strong desire to create miracles.

After the story of the same name of S. Veliyev. It's devoted about life concerns of oil workers and their children.

The story developed during XX century in Russian empire, Azerbaijan. Two circus actors Rustam and his friend San Sanich travel to a village where Rustam was born after long years of absence, to burry his aunt. After burring his aunt, friends decide to stay in her house for couple of days. A local wealthy inhabitant of the village Farzali bek, is looking for oil, and finds out that the land which now officially owned by Rustam might have some oil repositories. He learns that Rustam is back and wants to take him out, to put his hands on valuable land. A young theater singer Teymur is in love with Farzali bey's beautiful daughter, Telli, but has nothing to offer to marry her. Yet he decides to speak with her father. While planning to "sell" his daughter to one of other wealthy bey's son, Farzali bey still promises that if Teymur will kill Rustam, he will let Telli marry him. Rustam and his friend San Sanich defend Teymur, but after talking to him become friends. They decide to help ...

The film is about love between practical student and leader of clothing factory.

A story about ten years old Sona - a very talented young singer whose parents are not so happy about her singing.

The film is about young village man and about forming his character.

The novel was written by Ilyas Afandiyev. The film is about road builders.