Selman Nacar

Selman Nacar

プロフィール写真

Selman Nacar

参加作品

Hesitation Wound
Editor
A criminal lawyer Canan, divides her time in the courthouse and mother's hospital bed at night. Canan has to make a moral choice that will affect lives of her mother, judge and murder suspect client.
Hesitation Wound
Writer
A criminal lawyer Canan, divides her time in the courthouse and mother's hospital bed at night. Canan has to make a moral choice that will affect lives of her mother, judge and murder suspect client.
Hesitation Wound
Director
A criminal lawyer Canan, divides her time in the courthouse and mother's hospital bed at night. Canan has to make a moral choice that will affect lives of her mother, judge and murder suspect client.
Forms of Forgetting
Co-Producer
Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.
Between Two Dawns
Editor
After a worker severely injured in their family business, Kadir is forced into making a moral decision, which will have an impact on his dreams, his family and the life of injured worker’s wife
Between Two Dawns
Writer
After a worker severely injured in their family business, Kadir is forced into making a moral decision, which will have an impact on his dreams, his family and the life of injured worker’s wife
Between Two Dawns
Director
After a worker severely injured in their family business, Kadir is forced into making a moral decision, which will have an impact on his dreams, his family and the life of injured worker’s wife
We Are a Family
Producer
Haluk, an incompetent factory owner, competes with his wife and skillful operations manager Güler. As the power crisis between the husband and wife escalates, someone unexpected will suffer from it in a most tragic way.
Belonging
Producer
A murder investigation is flipped inside out in Burak Çevik's second feature, a spellbinding and surprising work that questions whether we can ever truly understand criminal motives. We begin in the present as an unseen narrator recounts the assassination of his lover's disapproving mother, accompanied by hauntingly vacant images of urban alienation and garish city lights; we then flash back to witness the first encounter between the lovers-turned-accomplices, their mutual attraction and world-weariness emerging across a sleepless night and morning after. Çevik imbues the proceedings with a stylistic confidence and willingness to bend the conventions of cinematic form to arrive at a complex, gripping double meditation on love and death.
The Pillar of Salt
Producer
A reclusive woman in her thirties leads a life frozen in time in a cave-like room. In her rare trips to the city, she chats with an oarswoman haunted by the devils. She searches for her twin sister in unfrequented corners of the city. In this journey in which time and space are out of joint, a same dream is recounted time after time.