Editor
A criminal lawyer Canan, divides her time in the courthouse and mother's hospital bed at night. Canan has to make a moral choice that will affect lives of her mother, judge and murder suspect client.
Writer
A criminal lawyer Canan, divides her time in the courthouse and mother's hospital bed at night. Canan has to make a moral choice that will affect lives of her mother, judge and murder suspect client.
Director
A criminal lawyer Canan, divides her time in the courthouse and mother's hospital bed at night. Canan has to make a moral choice that will affect lives of her mother, judge and murder suspect client.
Co-Producer
Nesrin and Erdem talk about their relationship, which they don’t remember in exactly the same way. Çevik’s visually stunning essay uses their conversations to forge a pensive treatise on what it means to forget, where word and image play an equal role.
Editor
카디르의 가족이 경영하는 사업장에서 직원이 크게 다치는 일이 발생하고, 이에 카디르는 도덕적 결정을 내려야만 한다. 이것은 자신의 모든 꿈, 가족, 그리고 부상당한 직원의 아내가 살아갈 삶에 영향을 미치게 될 결정이다.
Writer
카디르의 가족이 경영하는 사업장에서 직원이 크게 다치는 일이 발생하고, 이에 카디르는 도덕적 결정을 내려야만 한다. 이것은 자신의 모든 꿈, 가족, 그리고 부상당한 직원의 아내가 살아갈 삶에 영향을 미치게 될 결정이다.
Director
카디르의 가족이 경영하는 사업장에서 직원이 크게 다치는 일이 발생하고, 이에 카디르는 도덕적 결정을 내려야만 한다. 이것은 자신의 모든 꿈, 가족, 그리고 부상당한 직원의 아내가 살아갈 삶에 영향을 미치게 될 결정이다.
Producer
Haluk, an incompetent factory owner, competes with his wife and skillful operations manager Güler. As the power crisis between the husband and wife escalates, someone unexpected will suffer from it in a most tragic way.
Producer
A murder investigation is flipped inside out in Burak Çevik's second feature, a spellbinding and surprising work that questions whether we can ever truly understand criminal motives. We begin in the present as an unseen narrator recounts the assassination of his lover's disapproving mother, accompanied by hauntingly vacant images of urban alienation and garish city lights; we then flash back to witness the first encounter between the lovers-turned-accomplices, their mutual attraction and world-weariness emerging across a sleepless night and morning after. Çevik imbues the proceedings with a stylistic confidence and willingness to bend the conventions of cinematic form to arrive at a complex, gripping double meditation on love and death.
Producer
A reclusive woman in her thirties leads a life frozen in time in a cave-like room. In her rare trips to the city, she chats with an oarswoman haunted by the devils. She searches for her twin sister in unfrequented corners of the city. In this journey in which time and space are out of joint, a same dream is recounted time after time.
