Producer
They grew up in the lands of dictators and surveillance, where images are censored, photos are burned, thoughts are discreet, and mouths are kept shut. During the years, they made films, documented life, their lives, at least what was possible. They recorded sounds at night and in secret, for the senses to complete the image. From what are seemingly scattered images and narratives, a coherent emotive sensibility emerges unpacking a singular perspective of history and an attempt to speak what has been unspoken and silenced.
Producer
An exhaustive explanation of how the military occupation of an invaded territory occurs and its consequences, using as a paradigmatic example the recent history of Israel and the Palestinian territories, the West Bank and the Gaza Strip, from 1967, when the Six-Day War took place, to the present day; an account by filmmaker Avi Mograbi enriched by the testimonies of Israeli army veterans.
Producer
A portrait of those trying to survive in the war-torn Middle East.
Producer
Teenagers have always experimented with their sexuality, progressing from touching and kissing, to heavy petting, to full sex. But in an age where pornography is omnipresent and sexting common in schools, have the rules of engagement changed? Young people between the ages of 12 and 23 are interviewed about their first sexual experiences. What emerges is an environment of extreme social pressure and a loss of innocence experienced with feelings of fear, shame and guilt.
Producer
中国史の闇といわれている「反右派闘争」に迫った、全三部、8時間を超えるドキュメンタリー大作。1950年代後半、中国共産党によって突然「反動的な右派」と名指しされた55万人もの人が理由もわからずに収容所へ送られた「反右派闘争」。収容所は世界的な大飢饉も重なり、大量の餓死者が続出する地獄のような状況と化した。生存率10％とも言われた収容所から生き延びた人びとが、半世紀以上の時を経てカメラの前で語る体験の数々。山形国際ドキュメンタリー映画祭2019のインターナショナル・コンペティション部門で上映され、ロバート＆フランシス・フラハティ賞（大賞）と市民賞（観客賞）をダブル受賞した。
Producer
Everyone calls him Kev, this pale-looking redhead, who a social worker found, as a child, locked in a bedroom where he had only rays of sunshine to play with. Now a teenager, Kevin suffers from a form of autism so severe that the majority of so-called specialised institutions have long refused to take him in. Clémence Hébert followed him with her camera, from one place to another. She, who is gifted with speech and he, who lives without, tamed each other as peers with a lens as the only medium of recognition, which captures what palpitates, appears, withers, and recommences. A discontinued but living link.
