Camille Laemlé

참여 작품

Republic of Silence
Producer
They grew up in the lands of dictators and surveillance, where images are censored, photos are burned, thoughts are discreet, and mouths are kept shut. During the years, they made films, documented life, their lives, at least what was possible. They recorded sounds at night and in secret, for the senses to complete the image. From what are seemingly scattered images and narratives, a coherent emotive sensibility emerges unpacking a singular perspective of history and an attempt to speak what has been unspoken and silenced.
첫 54년 - 약식 군사 매뉴얼
Producer
군사 점령이란 무엇인가? 아비 모그라비 감독은 군사 점령에 참여했던 군인들의 증언을 경유하여 식민주의적 점령의 작동 방식에 대한 통찰을 보여 준다. 54년간 이스라엘이 자행한 팔레스타인의 웨스트 뱅크와 가자 지구 영토 점령을 통해, 감독은 군사 점령의 매뉴얼을 그려 나간다.
야상곡
Producer
내전과 독재, 테러로 얼룩진 이라크, 쿠르디스탄, 시리아, 레바논 국경 지역의 밤 풍경을 담았다. 로시는 밤이 끝날 것 같지 않은 그곳에서 군인과 어부, 아들을 잃은 어머니, 연극을 준비하는 환자들, 사냥꾼의 조수로 고용된 소년, ISIS의 만행을 목격한 아이들을 만난다.
Foreplay
Producer
Teenagers have always experimented with their sexuality, progressing from touching and kissing, to heavy petting, to full sex. But in an age where pornography is omnipresent and sexting common in schools, have the rules of engagement changed? Young people between the ages of 12 and 23 are interviewed about their first sexual experiences. What emerges is an environment of extreme social pressure and a loss of innocence experienced with feelings of fear, shame and guilt.
사령혼: 죽은 넋
Producer
중국 서북부에 위치한 간쑤성에는 60년 전 공산당이 주도한 반우파운동이 한창인 시절, 강제노동수용소에 갇혀 굶어 죽은 수감자들의 흔적이 여전히 남아 있다. 지아비앙고와 밍수이 강제노동수용소에서 가까스로 살아남은 이들의 생생한 증언을 기록한다.
Kev
Producer
Everyone calls him Kev, this pale-looking redhead, who a social worker found, as a child, locked in a bedroom where he had only rays of sunshine to play with. Now a teenager, Kevin suffers from a form of autism so severe that the majority of so-called specialised institutions have long refused to take him in. Clémence Hébert followed him with her camera, from one place to another. She, who is gifted with speech and he, who lives without, tamed each other as peers with a lens as the only medium of recognition, which captures what palpitates, appears, withers, and recommences. A discontinued but living link.