Shun Ikezoe
出生 : , Kanagawa, Japan
略歴
1988年香川県生まれ大阪育ち。
インディーズ映画製作に従事し、近年、CO2(シネアスト・オーガニゼーション・オオサカ)にてフィルムワークショップや自主映画発掘上映企画JISYUに携わる。デジタルとフィルムを横断する新たな映画表現を模索中。
Editor
On April 7, 2020, the first state of emergency was declared in Japan. People disappeared from the streets and movie theaters and museums closed their doors. Whatever happens in the world around us, the existence of you and I remain unchanged. As long as we can recognize each other correctly, we should be able to maintain our sanity to some extent. It doesn't matter if someone is still asleep in the hospital, or if the neighbor's cat has gone to heaven. Memories live on vividly in our memories. Sometimes they can evolve into exaggerated images, but what is important to me will continue to evolve inside of me. It's the same even if they don't exist in this world. I think it's almost like a prayer. Surrendering myself to the world of images―what this world needs is imagination! Including all the love we have for our neighbors, strangers, and partners.
Cinematography
On April 7, 2020, the first state of emergency was declared in Japan. People disappeared from the streets and movie theaters and museums closed their doors. Whatever happens in the world around us, the existence of you and I remain unchanged. As long as we can recognize each other correctly, we should be able to maintain our sanity to some extent. It doesn't matter if someone is still asleep in the hospital, or if the neighbor's cat has gone to heaven. Memories live on vividly in our memories. Sometimes they can evolve into exaggerated images, but what is important to me will continue to evolve inside of me. It's the same even if they don't exist in this world. I think it's almost like a prayer. Surrendering myself to the world of images―what this world needs is imagination! Including all the love we have for our neighbors, strangers, and partners.
Director
On April 7, 2020, the first state of emergency was declared in Japan. People disappeared from the streets and movie theaters and museums closed their doors. Whatever happens in the world around us, the existence of you and I remain unchanged. As long as we can recognize each other correctly, we should be able to maintain our sanity to some extent. It doesn't matter if someone is still asleep in the hospital, or if the neighbor's cat has gone to heaven. Memories live on vividly in our memories. Sometimes they can evolve into exaggerated images, but what is important to me will continue to evolve inside of me. It's the same even if they don't exist in this world. I think it's almost like a prayer. Surrendering myself to the world of images―what this world needs is imagination! Including all the love we have for our neighbors, strangers, and partners.
Producer
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
Editor
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
Director of Photography
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
Screenplay
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
Director
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
Director
Oscillation is an experimental short directed by Shun Ikezoe. It is part of FILMS FROM NOWHERE programme which took place in 2020.
Director
DISSOCIATIVE AMNESIA is a six minute experimental short directed by Shun Ikezoe. It is part of FILMS FROM NOWHERE programme which took place in 2020.
Director
An experimental short by Shun Ikezoe.
Producer
Director
27歳になる上野歩(うえのあゆむ)は望んでなかった地元への帰省で疲れていた。駅のホームでタバコを吸おうとした時、ポケットから出てきたのはナツメの実。艶のある朱いその実にはどことなく見覚えがあった。彼の2番目の母、四川省出身の任世榮(にんせいえい)が好んで食べていたのもナツメの実だった。当時、母と呼ぶのに抵抗があった歩に「お姉ちゃんと呼ぼう」と父が提案した。彼がその「お姉ちゃん」を思い出したとき、過去と現在は邂逅し、次第に夢かうつつか分からない世界へと没入していく。 人は分かり合えないもの。そう感じる原点には中国人の元義母の存在があった。四川語と関西弁が飛び交い、母の一人称を「お姉ちゃん」と呼んでいた過去を期限切れの8mmカラーリバーサルフィルムで映し出す。そのフィルムの使用期限はお姉ちゃんが出て行った年だった。