Shun Ikezoe

Shun Ikezoe

출생 : , Kanagawa, Japan

약력

After working on independent films, I have recently been involved in film workshops produced by CO2 (Cineist Organization Osaka) and the independent film development and screening project JISYU. I am currently exploring new methods of movie expression that cross the boundaries between digital and film.

프로필 사진

Shun Ikezoe

참여 작품

What is it that you said?
Editor
On April 7, 2020, the first state of emergency was declared in Japan. People disappeared from the streets and movie theaters and museums closed their doors. Whatever happens in the world around us, the existence of you and I remain unchanged. As long as we can recognize each other correctly, we should be able to maintain our sanity to some extent. It doesn't matter if someone is still asleep in the hospital, or if the neighbor's cat has gone to heaven. Memories live on vividly in our memories. Sometimes they can evolve into exaggerated images, but what is important to me will continue to evolve inside of me. It's the same even if they don't exist in this world. I think it's almost like a prayer. Surrendering myself to the world of images―what this world needs is imagination! Including all the love we have for our neighbors, strangers, and partners.
What is it that you said?
Cinematography
On April 7, 2020, the first state of emergency was declared in Japan. People disappeared from the streets and movie theaters and museums closed their doors. Whatever happens in the world around us, the existence of you and I remain unchanged. As long as we can recognize each other correctly, we should be able to maintain our sanity to some extent. It doesn't matter if someone is still asleep in the hospital, or if the neighbor's cat has gone to heaven. Memories live on vividly in our memories. Sometimes they can evolve into exaggerated images, but what is important to me will continue to evolve inside of me. It's the same even if they don't exist in this world. I think it's almost like a prayer. Surrendering myself to the world of images―what this world needs is imagination! Including all the love we have for our neighbors, strangers, and partners.
What is it that you said?
Director
On April 7, 2020, the first state of emergency was declared in Japan. People disappeared from the streets and movie theaters and museums closed their doors. Whatever happens in the world around us, the existence of you and I remain unchanged. As long as we can recognize each other correctly, we should be able to maintain our sanity to some extent. It doesn't matter if someone is still asleep in the hospital, or if the neighbor's cat has gone to heaven. Memories live on vividly in our memories. Sometimes they can evolve into exaggerated images, but what is important to me will continue to evolve inside of me. It's the same even if they don't exist in this world. I think it's almost like a prayer. Surrendering myself to the world of images―what this world needs is imagination! Including all the love we have for our neighbors, strangers, and partners.
See You In My Dreams
Producer
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
See You In My Dreams
Editor
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
See You In My Dreams
Director of Photography
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
See You In My Dreams
Screenplay
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
See You In My Dreams
Director
We see a woman lying down. She awakens from a dream of a festival she visited in her youth to a scene that feels familiar. Reminiscing on her first love, her marriage, giving birth, and meeting the love of her life, she wanders for a while. Was the place she met him again a dream, or was it Heaven? Was the one she met her first love, or the love of her life? This is a story about love, and about one woman.
Oscillation
Director
Oscillation is an experimental short directed by Shun Ikezoe. It is part of FILMS FROM NOWHERE programme which took place in 2020.
Dissociative Amnesia
Director
DISSOCIATIVE AMNESIA is a six minute experimental short directed by Shun Ikezoe. It is part of FILMS FROM NOWHERE programme which took place in 2020.
His/Her
Director
An experimental short by Shun Ikezoe.
Hizume
Producer
Jujuba
Director
The tired man standing on the platform is 27-year-old Ayumu Ueno. Facing an unwelcome trip to his childhood home, he goes to light a cigarette. What he finds in his pocket, however, is a jujuba fruit. The shiny red skin brings back vague memories of his second mother, Rèn Shìróng. Born in the Sichuan province of China, jujuba fruits were her favorite snack. At the time, he didn’t want to call her “Mom,” so at his father’s suggestion, she became “Sis.” As he thinks back on Sis, past and present meet, drawing us into a world neither dream nor reality. –"People can never really understand each other. Thinking back, I feel this way because of my former mother-in-law. That time, when Kansai dialect and Sichuan Chinese flew back and forth around me and I called my mother Sis, is recreated on expired 8 millimeter film. The expiration date of the film used is the same year that she walked out on us."