Lee Mario

参加作品

Spring Wind Project - We are here
Director
The Black
Director
The National Intelligence Service (NIS) intervened with the 2012 presidential election, and the court has acquitted NIS. This documentary tracks the long process where a special team of prosecutors formed after the inauguration of PARK Geunhye administration discovering the truth under all kinds of external pressures and obstructions. This documentary also tracks the footsteps of the late LEE Namjong, who reminded us the NIS Intervention incident.
Mad Minutes
Director
Mad minutes is a documentary about the memories of civilians who were killed by the Korean army during the Vietnam War. It testifies to the insanity and barbarism of war that does not stop, even through the memories of survivors, who are living with the terrible memories of war buried in the heartbreaking historical sequence where countless civilians were sacrificed. The director tells a forgotten part of history through the lives and testimonies of the survivors. It is a record of the scars of war that can never be erased, in line with the twisted modern history: Before even properly apologizing for the massacre of Vietnamese civilians caused by the dispatch of South Korean troops to Vietnam in the past, the government dispatched troops to Iraq again. - Mad Minutes: "To soothe the boredom of American soldiers dispatched to Vietnam during the war, we give them 2-3 minutes once every two months to allow them to freely shoot at anything other than the target inside the unit."
Rip It Up!
Director
It is criticized that the resident card, which has been implemented since 1968, is in fact only a fascistic system of state power to classify and control the people. Fingerprinting is the most essential part of the control process, and the work explains that only after completing the humiliating fingerprinting process can you enjoy your rights and duties as a 'citizen'. The director is a person who has participated in the opposition to fingerprinting since May 2000. The movement of the work follows Lee's struggle leading up to the administrative lawsuit, intersecting the arguments of the government and the logic of opponents of the resident card.