Sandy McLennan

略歴

Sandy McLennan works with old and new photo imaging and sound recording media: right tool at the right time. He expresses current personal and state-of-the-world emotions via analogue motion pictures (Regular/Double 8mm, 16mm, super 8), photo paper imaging (pinhole camera, photograms, contact prints), portable and home darkroom thaumaturgy, digital sound recording/editing, video and installations. He leads workshops enabling the experience of slow time via old technology for many first-timers. He exhibits motion pictures, photography, installation/performance and sound.

参加作品

Retide
Director
With a super 8 cartridge I shot moons ago, labelled "unknown", I'm back in the darkroom after some months. Ah, it's the river near home! Turned out to look just how I felt, with muted brown, false horizon, chemical re-balance and frayed nerve.
Moving, parts one and two
Director
Same shot of my house, thinking about moving. Moving out/moving in, emptying boxes one at a time.
Moving, Part One
Director
"Same shot of my house, Double 8mm film variously hand-processed, over months of thinking about moving. Sound on a cassette pulled from a box I was going to purge; tape from 1986 (the year I moved here), now chance overdubbing my thoughts on to a radio program about the power of women." —Sandy McLennan
Hearts and Bones
First Assistant Camera
A shell-shocked photojournalist, haunted by what he has witnessed on assignment in Africa, returns home on the eve of becoming a father. When one of his photographs threatens to destroy a Sudanese refugee's new life, the two men are reunited by nightmare events from the past.
First Day
Second Assistant Camera
First Day, tells a story about the fears associated with the transition between primary school and high school - but in Hannah's case, the stakes are even higher: this year, she will be attending school for the first time as a girl.
赤い珊瑚礁 オープン・ウォーター
Second Assistant Camera
ヨットで海に出たルークと仲間たち男女5人はクルージングやシュノーケリングを満喫していたが、船が座礁し、彼らは陸を目指して泳ぐことを決意する。ところがそこは何と人食いザメの縄張りだった。