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Sandy McLennan

약력

Sandy McLennan works with old and new photo imaging and sound recording media: right tool at the right time. He expresses current personal and state-of-the-world emotions via analogue motion pictures (Regular/Double 8mm, 16mm, super 8), photo paper imaging (pinhole camera, photograms, contact prints), portable and home darkroom thaumaturgy, digital sound recording/editing, video and installations. He leads workshops enabling the experience of slow time via old technology for many first-timers. He exhibits motion pictures, photography, installation/performance and sound.

참여 작품

Retide

Director

With a super 8 cartridge I shot moons ago, labelled "unknown", I'm back in the darkroom after some months. Ah, it's the river near home! Turned out to look just how I felt, with muted brown, false horizon, chemical re-balance and frayed nerve.

Moving, parts one and two

Director

Same shot of my house, thinking about moving. Moving out/moving in, emptying boxes one at a time.

Moving, Part One

Director

"Same shot of my house, Double 8mm film variously hand-processed, over months of thinking about moving. Sound on a cassette pulled from a box I was going to purge; tape from 1986 (the year I moved here), now chance overdubbing my thoughts on to a radio program about the power of women." —Sandy McLennan

심장과 뼈

First Assistant Camera

외상후 스트레스 장애에 시달리던 유명한 종군 사진작가 댄은 수단 출신의 난민 세바스티안과 뜻밖의 인연으로 가까워진다. 그러나 댄의 사진 한 장으로 세바스티안의 어두운 과거가 만천하에 드러나게 되는데...

First Day

Second Assistant Camera

First Day, tells a story about the fears associated with the transition between primary school and high school - but in Hannah's case, the stakes are even higher: this year, she will be attending school for the first time as a girl.

더 리프

Second Assistant Camera

호주의 산호 해안을 여행 중이던 케이트와 그의 일행은 배가 전복 당하는 사고를 당한다. 전복된 배위에서 구조를 기다리다 지친 일행은 가까운 섬으로 헤엄쳐 가기로 하는데... 는 실제로 일어났던 사건을 극화했다. 워낙 현실적으로 표현된 상어 때문에 처음부터 끝까지 긴장을 늦출 수 없는 작품. (2010년 제15회 부산국제영화제)