Mia Hansen-Løve

Sandra lives in a small apartment in Paris with her eight-year-old daughter. She regularly visits her father, Georg, who suffers from a neurodegenerative disease that undermines his capacities day by day. While she embarks with her family on an obstacle course through nursing homes to install Georg in a safe place, Sandra unexpectedly runs into Clément. Although he is unavailable, a passionate relationship begins.

Sandra lives in a small apartment in Paris with her eight-year-old daughter. She regularly visits her father, Georg, who suffers from a neurodegenerative disease that undermines his capacities day by day. While she embarks with her family on an obstacle course through nursing homes to install Georg in a safe place, Sandra unexpectedly runs into Clément. Although he is unavailable, a passionate relationship begins.

An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.

An English-German filmmaking couple retreat to Fårö for the summer to each write screenplays for their upcoming films in an act of pilgrimage to the place that inspired Ingmar Bergman. As the summer and their screenplays advance, the lines between reality and fiction start to blur against the backdrop of the Island's wild landscape.

Super-8 footage captured while filming Bergman Island. In voice-over, filmmaker Mia Hansen-Løve offers intimate reflections on her creative process on the island of Fårö and her relationship with Bergman and Swedish cinema.

The film follows a 30-year-old man named Gabriel, a French war reporter who was taken to hostage in Syria and then heads to India after months in captivity.

The film follows a 30-year-old man named Gabriel, a French war reporter who was taken to hostage in Syria and then heads to India after months in captivity.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

Nathalie teaches philosophy at a high school in Paris. She is passionate about her job and particularly enjoys passing on the pleasure of thinking. Married with two children, she divides her time between her family, former students and her very possessive mother. One day, Nathalie’s husband announces he is leaving her for another woman. With freedom thrust upon her, Nathalie must reinvent her life.

Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

Paul, a teenager in the underground scene of early-nineties Paris, forms a DJ collective with his friends and together they plunge into the nightlife of sex, drugs, and endless music.

Is there such a thing as strictly feminine cinema? Is it more difficult for a woman than for a man to direct a film? Is gender parity necessary in the industry? Actress and producer Julie GAYET and actor and director Mathieu BUSSON ask these questions to twenty French woman filmmakers, who face a camera together for the first time. After over an hour of lively, informal, spontaneous and funny interviews, it becomes obvious that these issues are still problematic and definitely worthy of a documentary. As Mia HANSEN-LØVE remarks, “In the eyes of the people, a woman’s film is always a woman’s film, while a man’s movie is simply… a movie”.

A 15-year-old discovers the joys and heartaches of first love with an older teen, but in the ensuing years, cannot seem to move past their breakup.

A 15-year-old discovers the joys and heartaches of first love with an older teen, but in the ensuing years, cannot seem to move past their breakup.

Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire ploughs on at all costs. Where will his blind obstinacy lead him?

Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire ploughs on at all costs. Where will his blind obstinacy lead him?

A father and daughter are reunited some 11 years after the father's drug addiction tore the family apart.

A father and daughter are reunited some 11 years after the father's drug addiction tore the family apart.

Mia Hansen-Løve's debut begins her career-long chronicle of a family. In this short film, a father breaks the news to his children that he and their mother are separating - the repercussions of which surface everywhere elsewhere in Hansen-Løve's filmography, in particular her most recent feature Things To Come (2016), for which she won the Silver Bear at the 2016 Berlinale

Mia Hansen-Løve's debut begins her career-long chronicle of a family. In this short film, a father breaks the news to his children that he and their mother are separating - the repercussions of which surface everywhere elsewhere in Hansen-Løve's filmography, in particular her most recent feature Things To Come (2016), for which she won the Silver Bear at the 2016 Berlinale

A promenade with Isabelle in a park, shot in an afternoon of January 2004.

In late nineteenth century Charante, Protestant minister Jean Barnery causes local disquiet when he arranges a separation from his obsessive wife. He and his lover keep their love strong as the world changes around them.

A story about the transition from late youth to early maturity, the film follows several friends and lovers as they come to make decisions on how to live their lives--getting a job more in harmony with ones ideals, committing to a lover, giving up a lover that no longer loves you: a film about grown-ups growing up.