Félix Rehm

SAMNANG, 20, faces the demolition of his lifelong home in Phnom Penh and the pressures from family, friends, and neighbors which arise and intersect in this moment of sudden change.

Out in the suburbs around Paris, a specialized teacher, Josiane, is taking care of five children failing at school. There, they share their fears, joys and sufferings at school. 'In session do not disturb' introduces us to their world while they will learn to learn.

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

Kavich Neang documents the final days of the White Building in Phnom Penh, an architectural landmark he had lived in since birth.

The sense of rituals and the manifestation of the sacred has underpinned all of Clément Cogitore's oeuvre, inspired by gatherings, communal phenomena, and the expression of beliefs of today, be they erratic or diffuse, or without a defined subject. The spread of images and the way in which they have become commonplace constitute the off-screen "narrative" of this approach: the artist confronts and responds to this with a visual intensity and a sense for storytelling that borders on the fantastic.

Freedom means only one thing: riding your dirt bike in the street, front wheel aimed at the sky.

Angelo dreams that his son Matteo becomes a great goalkeeper. In order to reach this goal, Angelo invests everything. But Matteo turns a deaf ear to his father’s dream. During an important game, Angelo is prepared to interfere in his son’s play in order to back him. But the father pushes his son to the limits. He finally puts more than his very dream at stake.

At dawn, in a great classical dance conservatory, a boy falls while rehearsing some movements. Something breaks in his foot, causing sharp pain. But it's exams day and the boy refuses to quit: he tries to face his dance partner and classmates, convincing himself his body has no limits.

Porte de la Chapelle. A shooting range. A woman. A crescent moon. Weapons.

One night under the stars, Marc dreams of meeting a girl.

In 1926, a Brancusi sculpture is stopped at the American border. Non-figurative, this artwork is classified as a manufactured article and its owner forced to pay a duty. The artist, Constantin Brancusi, appealed the decision. Judge Byron Waite, a former member of the Customs Board, is chosen to process the trial.