Félix Rehm

한때 캄보디아 수도 프놈펜의 도시화와 근대화를 상징하던 화이트 빌딩. 세월이 흘러 건물은 낡고 사람들은 하나 둘 떠나간다. 철거와 이주를 앞두고 보상금 문제로 주민들 간 대립이 심화되는 상황. 영화는 힙합 댄서를 꿈꾸지만 녹록하지 않은 현실과 마주하는 청년 썸낭과 입주민을 대표하여 정부 측과 협상을 하지만 별다른 힘을 못 쓰는 그의 아버지를 중심으로 담담하게 진행된다. (제26회 부산국제영화제)

Out in the suburbs around Paris, a specialized teacher, Josiane, is taking care of five children failing at school. There, they share their fears, joys and sufferings at school. 'In session do not disturb' introduces us to their world while they will learn to learn.

Images of crowd simulation are faced with testimonies from Liverpool Football Club’s supporters who recall their experience marked by a tragic event: the Hillsborough stadium disaster in 1989, which changed the nature of the game of football.

캄보디아 프놈펜의 상징적인 건축물인 화이트 빌딩은 철거될 상황에 놓인다. 철거 직전, 감독인 카빅 능은 자신의 가족을 포함해 세 가족의 모습에 주목한다. 철거민들이 짐을 싸고, 추억과 불안을 공유하며 건물이 완전히 허물어지기 전 이사를 나가는 일련의 과정이 카메라에 담긴다.

The sense of rituals and the manifestation of the sacred has underpinned all of Clément Cogitore's oeuvre, inspired by gatherings, communal phenomena, and the expression of beliefs of today, be they erratic or diffuse, or without a defined subject. The spread of images and the way in which they have become commonplace constitute the off-screen "narrative" of this approach: the artist confronts and responds to this with a visual intensity and a sense for storytelling that borders on the fantastic.

Freedom means only one thing: riding your dirt bike in the street, front wheel aimed at the sky.

Angelo dreams that his son Matteo becomes a great goalkeeper. In order to reach this goal, Angelo invests everything. But Matteo turns a deaf ear to his father’s dream. During an important game, Angelo is prepared to interfere in his son’s play in order to back him. But the father pushes his son to the limits. He finally puts more than his very dream at stake.

At dawn, in a great classical dance conservatory, a boy falls while rehearsing some movements. Something breaks in his foot, causing sharp pain. But it's exams day and the boy refuses to quit: he tries to face his dance partner and classmates, convincing himself his body has no limits.

Porte de la Chapelle. A shooting range. A woman. A crescent moon. Weapons.

One night under the stars, Marc dreams of meeting a girl.

In 1926, a Brancusi sculpture is stopped at the American border. Non-figurative, this artwork is classified as a manufactured article and its owner forced to pay a duty. The artist, Constantin Brancusi, appealed the decision. Judge Byron Waite, a former member of the Customs Board, is chosen to process the trial.