Daniela Alatorre

Filmmaker Diego Gutiérrez knows that he is soon to lose two loved ones: his mother Gina Coppe and his best friend Danniel Danniel. Both ask him to film them during this final phase of their lives—Gina in her apartment in Mexico City, Danniel in a Dutch restaurant where he feels at home. What stories do they want to leave behind?

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

This documentary walks the line between fact and fiction, delving into corruption in the Mexican police through the experiences of two officers.

A mother wonders, will my children love their perfect machines more than they love me, their imperfect mother? She switches on a smart-crib lulling her crying baby to sleep. This perfect mother is everywhere. She watches over us, takes care of us. We listen to her. We trust her.

The Rastreadoras de El Fuerte are a group of mothers of disappeared persons in northern Sinaloa who, in the absence of the authorities, twice a week go out with picks and shovels in search of the remains of their children; a testimony of the abandonment of the State, the aggressions of the drug traffickers, the indifference of society and the pain, but also of the strength and courage that keep these women together, and of their empowerment to mobilize society in community organization.

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

Images, voices, and interrupted silences that evoke the intangible losses caused by COVID-19.

Since an attack on students of the Ayotzinapa Rural Teachers' College in 2014 resulted in six deaths and in the forced disappearance of 43, the students’ families have been living in limbo with their unanswered questions, their struggle embodying the psychological and emotional toll of endemic violence upon Mexican society.

A young woman of the Tarahumara, well-known for their extraordinary long distance running abilities, wins ultramarathons seemingly out of nowhere despite running in sandals.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

Marina and Perla join thousands of women on an annual Catholic pilgrimage. Perla's coming of age accentuates a generational divide as she struggles to assert her independence as a woman.

Bird watchers on both sides of the U.S.-Mexico border share their enthusiasm for protecting and preserving some of the world's most beautiful species.

Two countries, two restaurants, one vision. At Gabriela Cámara's acclaimed Contramar in Mexico City, the welcoming, uniformed waiters are as beloved by diners as the menu featuring fresh, local seafood caught within 24 hours. The entire staff sees themselves as part of an extended family. Meanwhile at Cala in San Francisco, Cámara hires staff from different backgrounds and cultures, including ex-felons and ex-addicts, who view the work as an important opportunity to grow as individuals. A Tale of Two Kitchens explores the ways in which a restaurant can serve as a place of both dignity and community.

In Mexico City, the government operates fewer than 45 emergency ambulances for a population of 9 million. This has spawned an underground industry of for-profit ambulances often run by people with little or no training or certification. An exception in this ethically fraught, cutthroat industry, the Ochoa family struggles to keep their financial needs from jeopardizing the people in their care. When a crackdown by corrupt police pushes the family into greater hardship, they face increasing moral dilemmas even as they continue providing essential emergency medical services.

As daylight breaks between the border cities of El Paso, Texas, and Juarez, Mexico, undocumented migrants and their relatives, divided by a wall, prepare to participate in an activist event. For three minutes, they’ll embrace in no man’s land for the briefest and sweetest of reunions.

Filmed mostly with drones, this short film shows what happened before, during and after the devastating earthquake that struck Mexico City in September 19, 2017. Through sound recordings of the rescue operations, accounts from survivors and journalistic chronicles, this film reflects the uncertainty and bewilderment caused by the quake.