Michel Leclerc

Youssef Salem, 45, has always managed to miss his writing career. But the trouble begins when his new novel becomes a success because Youssef couldn't help but be inspired by his own, for better or worse. He must now avoid at all costs that his book falls into the hands of his family.

Marcia, a classy Parisian young singer, is recording an album with her idol Daredjane, a rock icon from the 70's. When Daredjane accidentally dies, Marcia needs to get approval from Daredjane's right-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...

Marcia, a classy Parisian young singer, is recording an album with her idol Daredjane, a rock icon from the 70's. When Daredjane accidentally dies, Marcia needs to get approval from Daredjane's right-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...

Marcia, a classy Parisian young singer, is recording an album with her idol Daredjane, a rock icon from the 70's. When Daredjane accidentally dies, Marcia needs to get approval from Daredjane's right-holder, Anthony, a suburban market vendor in his thirties, to release their album. But Anthony never liked his distant relative, let alone her music. Their two worlds clash between good and bad taste, sophistication and rudeness, sincerity and lies. Unless love gets in the way...

This film is a tribute to love, a tribute to cinema. Our two main characters take us with them into the intimacy of "real people". We cross the roads of France with them, in their different vans and pick-up trucks transformed for the occasion into mini movie studios. Their concept: to film "declarations of love" and to deliver them directly by van to their recipients. And we discover, as we go along, that our duo and their own personal adventures are subtly intertwined with the people they film. This mix of genres offers several universes to the spectator in order to make him question himself about love.

As everyone knows, children make no difference between social classes, skin colors or religions. But then why does Corentin, Paul and Sofia's nine-year-old son, only have friends like him at Bagnolet's school? And when his friends all leave for a private school in Paris, his parents are frightened. From now on, Corentin is the only one in his class. But the only what?

As everyone knows, children make no difference between social classes, skin colors or religions. But then why does Corentin, Paul and Sofia's nine-year-old son, only have friends like him at Bagnolet's school? And when his friends all leave for a private school in Paris, his parents are frightened. From now on, Corentin is the only one in his class. But the only what?

Erwan, a strapping Breton who clears mines for a living, is shaken when he discovers that his father is not his father. Despite his affection for the man who raised him, he quietly sets out to find his biological father, and succeeds in locating Joseph, an endearing old codger he takes a liking to. Just when things look settled, another unexpected “bomb” hits Erwan in the form of Anna, an elusive nymph.

François Sim considers himself worthless and he may have good reasons for that. Hasn't he lost his job as well as his wife Caroline? Isn't he unable to relate to Lucy, his teenage daughter? Didn't he, when he was eighteen miss out on passion whereas the sexy, gorgeous Luigia opened her arms to him?

François Sim considers himself worthless and he may have good reasons for that. Hasn't he lost his job as well as his wife Caroline? Isn't he unable to relate to Lucy, his teenage daughter? Didn't he, when he was eighteen miss out on passion whereas the sexy, gorgeous Luigia opened her arms to him?

Charming thirty-year-old Hanna Belkacem has inherited the gene from her parents: she is unable to say no. And as she is the Director of Human resources of a big firm such infirmity is not without its problems, particularly when she has to fire someone. The only solution she has found to be forgiven is to... get l* with the men she lays off!

Perrine, a single, slightly awkward musician, loves birthday parties. One day she accidentally causes a man to fall into a skip at the waste disposal centre. When she learns that he´s in a coma, the young woman tries everything to awaken himand starts to meddle in his life.

It all began when camcorders replaced cameras. Making TV programs then became within everyone's reach. Jean-Lou, Yasmina, Victor, Clara, Adonis, and the others didn't only want to create their own television channel, they above all wanted to make a revolution. Thus Télé Gaucho was born, as anarchic and provocative as the main channels were conformist and reactionary. Five years of mayhem, brutal pirate TV demonstrations, drunken parties, and thwarted love.. And that was my idyllic interlude.

Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving.

Bahia Benmahmoud, a free-spirited young woman, has a particular way of seeing political engagement, as she doesn't hesitate to sleep with those who don't agree with her to convert them to her cause - which is a lot of people, as all right-leaning people are concerned. Generally, it works pretty well. Until the day she meets Arthur Martin, a discreet forty-something who doesn't like taking risks. She imagines that with a name like that, he's got to be slightly fascist. But names are deceitful and appearances deceiving.

Paul has no specific life goal, and Mathilde, who provides for their household, despairs that he can find one. If he continues like this, she may well drop him. So Paul thinks he's got to invent something.

鬼才、ヤン・シュヴァンクマイエルの『アリス』『ファウスト』から『オテサーネク 妄想の子供』までの制作秘話や、チェコで催された展覧会の準備風景を交えつつ、豊富なインタビューと証言で彼の作品の魅力を解き明かすファン必見のドキュメンタリー。