A young female doctor and her 6-year-old daughter are on an overnight flight in a violent storm. When passengers on the half-empty plane inexplicably begin to die, the woman’s grip on reality weakens and she is forced to relive her worst childhood nightmare.
The sinister ghost of the Queen of Spades is out for blood, her victims the students of an old boarding school shrouded in gloomy rumors. Exploring the school’s abandoned wing, the teenagers discover a mirror covered in mysterious drawings. Facing it, they playfully recite an incantation which renders their innermost desires a reality - at the expense of nothing less than their souls.
A strange envelope is delivered to an architect bureau by mistake. Igor, a driver, gets the task to bring it to the right address. From that moment his life becomes a string of paranormal events. The cursed letter invades Igor's life and leads him to a mysterious addressee.
Preserving the text of the play, the amazing dialogues, the brilliant characters, we have transposed the action into today’s Russian provinces and changed only one thing: the age of the heroes. In Anton Chekhov’s play the heroines are aged around 25; now they are 55. What does that do? The heroes’ retorts, stylistically inappropriate from today’s twenty-year-olds, are absolutely organic for the older generation, the ‘Soviet’ intelligentsia. The problems of Chekhov’s classical work concerning the search for a meaning in life, the loss of ideals, the fear before death without having achieved anything in the world, the desire to be useful to others – all these things are also a typical attribute of the Soviet intelligentsia.
