Director
A documentary that deeply focuses and visits the trauma of Korea's modern history for 70 years through the life of a father whose family was indifferent.
Director
How do these people live, how do they endure the confinement and pain of the country's borders ? Under the splendor of the landscapes we can feel the constant threat of a cold war In the heart of Caucasus. The villagers have learned to live with the sound of reports, while knowing that the next bullet may be for them. Scenes from ordinary life, in a country where the threat of war may never be forgotten: yet a feeling of life prevails: resident forever, forever. This film talk about the current state of the world and humanity with respect to imposed violence, in a set of border areas.
Writer
The director, who herself comes from a family near the Demilitarized Zone (DMZ) between North and South, explores an issue largely forgotten between the Korean War and current tensions: In the 1960s, North Korean refugees were settled here in houses provided by the Park Chung-hee dictatorship for propaganda purposes. For decades now, they have lived along the line of confrontation. The most personal border zone runs through their houses, where individual history and collective memory meet.
Director
The director, who herself comes from a family near the Demilitarized Zone (DMZ) between North and South, explores an issue largely forgotten between the Korean War and current tensions: In the 1960s, North Korean refugees were settled here in houses provided by the Park Chung-hee dictatorship for propaganda purposes. For decades now, they have lived along the line of confrontation. The most personal border zone runs through their houses, where individual history and collective memory meet.
Femme équipe coréenne
Grégoire Canvel has everything a man could want. A wife he loves, three delightful children and a stimulating job. He's a film producer. Discovering talented filmmakers and developing films that fit his conception of the cinema-free and true to life-is precisely his reason for living. Yet his prestigious production company, Moon Films, is on its last legs. Too many productions, too many risks, too many debts. Storm clouds are gathering. But Grégoire ploughs on at all costs. Where will his blind obstinacy lead him?