Miquel García Borda

Salamanca, Spain, 1936. In the early days of the military rebellion that began the Spanish Civil War (1936-39), writer Miguel de Unamuno supports the uprising in the hope that the prevailing political chaos will end. But when the confrontation becomes bloody, Unamuno must question his initial position.

Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.

A thief expert with blowtorch is hired by a group of the Russian mob for a bank assault.

紀元前1300年。最強の王国として名をはせるエジプトの王家に養子として迎えられて育ったモーゼは、兄弟同然のような固い絆で結ばれていたはずのエジプト王ラムセスとたもとを分かつ。その裏には、苦境に立たされている40万にも及ぶヘブライの人々を救わねばならないというモーゼの信念があった。そして、彼らのための新天地「約束の地」を探し求めることに。過酷な旅を続ける一方で、彼はエジプトを相手にした戦いを余儀なくされていく。

Alfonso and Anna have long since lost the passion of their marriage. She is a lover, who also plays the lead role in the play of the village. Alfons, by accident, poisons lovers and their ghosts will appear after death. Together we will make sure that the play can be released and Alfons their actor. And regarding the opening of the play, and the assistance provided by the Anna Alfons learn to look at life from a more relaxed view.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

Thriller-drama about eight losers who will have to deal with a new life in which apparently they are the only people alive.

In this poetic story, set in the late 1950s, the life of a small boy is influenced by historical events, ranging from the exploration of space to the Algerian War. His father is drafted and the boy’s cozy home changes into the cold walls of a barracks flat. His central focus becomes the world of child fantasy and imagination. The director has made an attempt at capturing the thoughts, dreams and anxieties of one child, which sets out on a journey to the centre of the Earth, while the adult hero remembering his childhood sets out on a journey to the centre of himself. The rhythm of the story flows just like a nocturne, a lyrical musical piece expressing a night mood. The director’s ambition was not to create a realistic film, but to try to transpose a child’s fantasies into images.

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

A Spanish theatre company is rehearsing Shakespeare in the original style using young men to play the women's roles. Complicating their endeavors is the previously straight director's infatuation the new young man whose charming everyone except the slightly older young man who he's replacing. When the young man on the way out decides to settle the score with the young man on the way up, he draws on what he's learned in the theatre. Enter Iago.

A Spanish comedy about the love lives of a group of friends, centers on the exploits of a group of urban hipsters who live in the same apartment building. Angel and Edu share a flat. Angel, who is handsome and strait-laced, is planning to get married, and as his marriage draws closer, Edu, a sloppy punk, begins to resent Angel's impending union with suspicious voracity. Meanwhile, in the flat downstairs, Txell and Aina are a lesbian couple whose relationship is faltering. They share their lodging with Elena, an obnoxious heterosexual who has the habit of annoying everyone with her inability to shut up. Elena is looking for love, and soon sets her sights on Oscar, Edu's prospective new roommate. Oscar, however, doesn't return Elena's advances; instead, he's got a jones for Aina, who, it soon becomes apparent, shares the attraction.

A Spanish comedy about the love lives of a group of friends, centers on the exploits of a group of urban hipsters who live in the same apartment building. Angel and Edu share a flat. Angel, who is handsome and strait-laced, is planning to get married, and as his marriage draws closer, Edu, a sloppy punk, begins to resent Angel's impending union with suspicious voracity. Meanwhile, in the flat downstairs, Txell and Aina are a lesbian couple whose relationship is faltering. They share their lodging with Elena, an obnoxious heterosexual who has the habit of annoying everyone with her inability to shut up. Elena is looking for love, and soon sets her sights on Oscar, Edu's prospective new roommate. Oscar, however, doesn't return Elena's advances; instead, he's got a jones for Aina, who, it soon becomes apparent, shares the attraction.

Located in Madrid's Plaza del Sol, Km. 0 is the point from which all distances in Spain are measured from the capital. In Km. 0, it is also the meeting point for a gallery of characters. Bored, affluent housewife Marga meets up with gigolo Miguel, who co-habitates with gay Benjamin. Sergio, a soon-to-be-married office clerk who can't wait to lose his virginity, makes the acquaintance of prostitute Tatiana, while gay dancer Bruno meets Maximo. Meanwhile, wannabe director Pedro arranges to meet up with Silvia, an actress who wants to work in musicals directed by Gerardo, and bartender Mario is caught between Amor, who wants to marry him, and her little sister Roma, who is truly in love with him.

Jose Luis is an executive at his parents underwear factory where his girlfriend Sylvia works on the shop floor. When Sylvia becomes pregnant, Jose Luis promises her that he will marry her, most likely against the wishes of his parents. Jose Luis' mother is determined to break her son's engagement to a girl from a lower-class family, and hires Raul, a potential underwear model and would-be bullfighter to seduce Sylvia.