Miquel García Borda

1936년, 프랑코를 내세운 스페인 군대는 정권을 잡으려는 야욕을 드러내고, 이후 시작된 스페인 내전으로 수많은 사람들이 고통 받는다. 뛰어난 학문적 성취와 인품으로 사람들의 존경을 받던 학자이자 작가인 미구엘은 새로운 정치를 요구했던 자신의 말과 글이 결과적으로 군부를 도운 건 아니었는지 자문한다. 한편 미구엘은 부당하게 탄압받는 한 정치인으로부터 도움의 요청을 받는다.

Louise loved Adam. Adam loved Louise. That is how it used to be. But a child has disappeared. Their child. The police said it was a drowning accident. Yet the truth is that their little boy’s body was never found. Lucas, ten years old. How easy it all would have been if the ocean had taken the trouble to throw up a little-swollen child’s corpse onto the beach. Or if a local with alcohol in his blood and blood on his hands had ploughed him down at full speed. An indescribable pain. No more living, no more happiness, but at least no unanswered questions. Unfortunately, that is not how it is for Adam and Louise.

매춘과 총기거래를 일삼는 러시아 갱단. 그들의 새로운 목표는 스위스 은행의 비밀금고를 터는것이다. 빅터는 자신만의 독특한 탈출 기술로 갱단의 신임을 얻고 계획에 합류하게 되지만 그 곳에서 자신의 오래된 친구 라피도를 마주하게 된다. 사실 빅터는 러시아 갱단을 잡기 위해 잠입한 경찰이었던 것이고 그의 정체를 알고 있는 유일한 사람, 라피도로 인해 상황은 복잡하게 돌아가기 시작한다. 한편, 빅터를 투입시킨 경찰 서장은갱단의 소탕을 위해 빅터의 목을 조여만 가고 언제 정체가 탄로날지 모르는 상황에서 빅터는 또 다른 작전을 설계하기 시작하는데... 끊을 수 없이 서로 얽혀버린 세 남자. 의리와 배신이 그들을 교차하는 가운데과연 살아남는 자는 누가 될 것인가.

인간이 신처럼 군림하던 시대, 이집트 왕국에서 형제와도 같이 가깝게 자란 모세스와 람세스. 전차에서 낙마한 람세스를 모세가 목숨을 걸고 구해날 정도로 둘의 우애는 깊었지만, 생지옥 같은 노예들의 삶을 목격하고 이에 분노하게 된 모세스는 스스로를 태양신 라의 화신이라 믿는 제국의 왕 람세스와 정면으로 맞서게 된다. 이집트의 동쪽으로 추방당하며 겪은 여정에서 신비한 소년을 만나게 되는 모세스. 결국 자신이 400년간 억압받던 노예들을 이끌 운명임을 깨닫게 된 모세스는 자유를 찾기 위해 동족들을 이끌고 이집트 탈출을 결심하는데...

Alfonso and Anna have long since lost the passion of their marriage. She is a lover, who also plays the lead role in the play of the village. Alfons, by accident, poisons lovers and their ghosts will appear after death. Together we will make sure that the play can be released and Alfons their actor. And regarding the opening of the play, and the assistance provided by the Anna Alfons learn to look at life from a more relaxed view.

"14 d'abril. Macià contra Companys "is a television drama, allegedly recorded in 1932, but with the methods, style and own means 2010. With this temporary license, the stars of one of the episodes of the Catalan capital twentieth century discussed the facts, in first person, while a nosy camera helps us to relive what happened in Barcelona between 14 and 17 April 1931, the three-day duration of the Catalan Republic. All with the aim of showing the greatness and the precariousness of a gesture, half improvised by Companys key sovereigntist corrected by Macià, and that led to a shouting match.

Thriller-drama about eight losers who will have to deal with a new life in which apparently they are the only people alive.

In this poetic story, set in the late 1950s, the life of a small boy is influenced by historical events, ranging from the exploration of space to the Algerian War. His father is drafted and the boy’s cozy home changes into the cold walls of a barracks flat. His central focus becomes the world of child fantasy and imagination. The director has made an attempt at capturing the thoughts, dreams and anxieties of one child, which sets out on a journey to the centre of the Earth, while the adult hero remembering his childhood sets out on a journey to the centre of himself. The rhythm of the story flows just like a nocturne, a lyrical musical piece expressing a night mood. The director’s ambition was not to create a realistic film, but to try to transpose a child’s fantasies into images.

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

A priest and his father investigate the disappearance of a cardinal who has damning information about the Vatican.

A Spanish theatre company is rehearsing Shakespeare in the original style using young men to play the women's roles. Complicating their endeavors is the previously straight director's infatuation the new young man whose charming everyone except the slightly older young man who he's replacing. When the young man on the way out decides to settle the score with the young man on the way up, he draws on what he's learned in the theatre. Enter Iago.

A Spanish comedy about the love lives of a group of friends, centers on the exploits of a group of urban hipsters who live in the same apartment building. Angel and Edu share a flat. Angel, who is handsome and strait-laced, is planning to get married, and as his marriage draws closer, Edu, a sloppy punk, begins to resent Angel's impending union with suspicious voracity. Meanwhile, in the flat downstairs, Txell and Aina are a lesbian couple whose relationship is faltering. They share their lodging with Elena, an obnoxious heterosexual who has the habit of annoying everyone with her inability to shut up. Elena is looking for love, and soon sets her sights on Oscar, Edu's prospective new roommate. Oscar, however, doesn't return Elena's advances; instead, he's got a jones for Aina, who, it soon becomes apparent, shares the attraction.

A Spanish comedy about the love lives of a group of friends, centers on the exploits of a group of urban hipsters who live in the same apartment building. Angel and Edu share a flat. Angel, who is handsome and strait-laced, is planning to get married, and as his marriage draws closer, Edu, a sloppy punk, begins to resent Angel's impending union with suspicious voracity. Meanwhile, in the flat downstairs, Txell and Aina are a lesbian couple whose relationship is faltering. They share their lodging with Elena, an obnoxious heterosexual who has the habit of annoying everyone with her inability to shut up. Elena is looking for love, and soon sets her sights on Oscar, Edu's prospective new roommate. Oscar, however, doesn't return Elena's advances; instead, he's got a jones for Aina, who, it soon becomes apparent, shares the attraction.

Located in Madrid's Plaza del Sol, Km. 0 is the point from which all distances in Spain are measured from the capital. In Km. 0, it is also the meeting point for a gallery of characters. Bored, affluent housewife Marga meets up with gigolo Miguel, who co-habitates with gay Benjamin. Sergio, a soon-to-be-married office clerk who can't wait to lose his virginity, makes the acquaintance of prostitute Tatiana, while gay dancer Bruno meets Maximo. Meanwhile, wannabe director Pedro arranges to meet up with Silvia, an actress who wants to work in musicals directed by Gerardo, and bartender Mario is caught between Amor, who wants to marry him, and her little sister Roma, who is truly in love with him.

실비아(Silvia: 페네로프 크루즈 분)는 고속도로변에서 매춘 술집을 운영하는 카르멘(Carmen: 안나 칼리에나 분)의 조카(국내 번역에는 조카지만, 실제 설정은 어머니임)로 팬티 회사의 공장에서 일하는 아름답고 관능적인 처녀이다. 실비아는 팬티 공장 사장의 아들 호세(Jose Luis: 조디 몰라 분)와는 연인 사이인데 호세의 어머니 콘치타(Conchita: 스테파니아 샌드렐리 분)의 맹렬한 반대는 두 사람을 힘들게 한다. 창녀의 조카라 비천한 신분에도 이유가 있지만 그보다 호세의 아버지 마뉴엘(Manuel: 후안 디에고 분)이 카르멘과 불륜의 관계를 맺고 있다는 사실을 알기 때문이다. 호세가 실비아와의 결혼 승락을 구하려 하자 두 사람 사이를 갈라놓기로 작심한 콘치타는 햄 건조 공장에서 일하는 투우사 지망생 라울(Raul: 하비에르 바르뎀 분)을 고용하여 실비아를 유혹하도록 주문한다. 이 과정에서 라울의 젊은 육체에 사로잡힌 콘치타는 라울과 불륜 행각을 벌이고 라울의 접근으로 마음이 흔들리기 시작한 실비아 때문에 번뇌에 빠진 호세는 카르멘과 육체 관계를 갖는다. 한편, 실비아와도 관계를 한 라울과 콘치타와 정사 장면을 목격하고 이성를 잃어버린 호세는 라울을 죽여버리겠다고 결심, 햄 건조공장에서 라울과 결투를 벌이지만 오히려 라울에게 맞아 죽고, 이때 건조장에 나타난 실비아, 카르멘, 마뉴엘은 통한의 눈물을 흘린다.