Catarina Vasconcelos
出生 : 1986-01-01, Lisbon, Portugal
略歴
Catarina Vasconcelos was born in Lisbon, 1986. After graduating from Lisbon’s Fine Arts Academy, she moved to London where she pursued a MA at the Royal College of Art. Her final project, the short film “Metáfora ou a Tristeza Virada do Avesso” (Metaphor or Sadness inside out), was her first film. “Metáfora” premiered at Cinema du Reel in 2014 where it was awarded the prize for the Best International Short Film. The film was screened in various festivals such as RIDM - Montreal International Documentary Festival (Best international medium length award), DokLeipzig, Moscow International Film Festival and Doclisboa. Her first feature film, “A Metamorfose dos Pássaros” (The Metamorphosis of Birds”) had its premiere at the Encounters section at the Berlinale 2020.
Director
Portugal. 15th century. Monks build a wall around a forest to bar the entry of women. But in the world of the unseen, lit by their souls, women have made their kingdom of invisibility without walls.
Self
Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.
Producer
Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.
Screenplay
Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.
Director
Beatriz married Henrique on the day of her 21st birthday. Henrique, a naval officer, would spend long periods at sea. Ashore, Beatriz, who learned everything from the verticality of plants, took great care of the roots of their six children. The oldest son, Jacinto (Hyacinth), my father, dreamed he could be a bird. One day, suddenly, Beatriz died. My mom didn’t die suddenly, but she too died when I was 17 years-old. On that day, me and my father met in the loss of our mothers and our relationship was no longer just that of father and daughter.
Writer
Alternating Super-8, digital footage and the correspondence with her brother, the filmmaker evokes their deceased mother and the Portuguese revolution, which she only gets to know through these diffracted memories.
Director
Alternating Super-8, digital footage and the correspondence with her brother, the filmmaker evokes their deceased mother and the Portuguese revolution, which she only gets to know through these diffracted memories.
Director
How to be bring a city to another? How do you make a map of your favourite place? And how about the sea? To whom does the sea belong? It's in a series of experimentations with acetates and a overhead projector that I tried to create my world, a world where Lisbon and London fit in each other.
Director
Walking in Hyde Park, 'enframing' the park. Hiding Hyde Park in London.
