Nietzchka Keene
出生 : 1952-06-26, Boston, Massachusetts, USA
死亡 : 2004-10-20
略歴
Professor Nietzchka Keene (June 26, 1952 – October 20, 2004) was an American film director and writer. She taught film making and editing in the University of Wisconsin–Madison until her death.
Writer
A shocking tragedy sends Mara down a path of sin, redemption, grace, and evil. Barefoot to Jerusalem is the story of a woman struggling to face her deepest desires, her darkest fears, and ultimately, the devil.
Director
A shocking tragedy sends Mara down a path of sin, redemption, grace, and evil. Barefoot to Jerusalem is the story of a woman struggling to face her deepest desires, her darkest fears, and ultimately, the devil.
Animation
A stop-motion menagerie of birds illuminate a nun’s spiritual ecstasy and terror in this experimental animated work set to the music of Christian mystic Hildegard von Bingen.
Director of Photography
A stop-motion menagerie of birds illuminate a nun’s spiritual ecstasy and terror in this experimental animated work set to the music of Christian mystic Hildegard von Bingen.
Director
A stop-motion menagerie of birds illuminate a nun’s spiritual ecstasy and terror in this experimental animated work set to the music of Christian mystic Hildegard von Bingen.
Writer
A passionate artist creates in order to release her strong pent up emotions. Themes of justice and retribution especially influence her. One night she sees a dying man in a car and decides to search for answers.
Director
A passionate artist creates in order to release her strong pent up emotions. Themes of justice and retribution especially influence her. One night she sees a dying man in a car and decides to search for answers.
Writer
Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.
Director
Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.
Producer
Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.
Editor
Margit and her older sister Katla flee for safety after their mother is burned to death for witchcraft. Finding shelter with Johan and his resentful young son, Jonas, the sisters help form an impromptu family unit that’s soon strained by Katla’s burgeoning sorcery.
Other
As a woman anxiously awaits her overdue period, she performs African-based rituals of purification. She cleans house and body, and calls on the spirits (Orishas in the Yoruba tradition), receiving much needed inspiration and assurance in a dream. The film combines beautifully intimate still and moving images of the woman’s body and home space, along with playful stop-motion sequences. —Jacqueline Stewart, UCLA Film and Television Archive
Sound
Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.
Sound Mixer
Two women are torn between the past, with its traditions and apparent security, and the future full of uncertainty.
Writer
The relationship between an embittered farm woman and her orphaned niece reaches a breaking point in this dark, psychological pastoral.
Director
The relationship between an embittered farm woman and her orphaned niece reaches a breaking point in this dark, psychological pastoral.
Director
Nietzchka Keene evokes a woman’s fractured inner world in this enigmatic portrait composed in water, mirrors, and blood.
