Nietzchka Keene

Nietzchka Keene

Nascimento : 1952-06-26, Boston, Massachusetts, USA

Morte : 2004-10-20

História

Professor Nietzchka Keene (June 26, 1952 – October 20, 2004) was an American film director and writer. She taught film making and editing in the University of Wisconsin–Madison until her death.

Perfil

Nietzchka Keene

Filmes

Barefoot to Jerusalem
Writer
A shocking tragedy sends Mara down a path of sin, redemption, grace, and evil. Barefoot to Jerusalem is the story of a woman struggling to face her deepest desires, her darkest fears, and ultimately, the devil.
Barefoot to Jerusalem
Director
A shocking tragedy sends Mara down a path of sin, redemption, grace, and evil. Barefoot to Jerusalem is the story of a woman struggling to face her deepest desires, her darkest fears, and ultimately, the devil.
Aves
Animation
A stop-motion menagerie of birds illuminate a nun’s spiritual ecstasy and terror in this experimental animated work set to the music of Christian mystic Hildegard von Bingen.
Aves
Director of Photography
A stop-motion menagerie of birds illuminate a nun’s spiritual ecstasy and terror in this experimental animated work set to the music of Christian mystic Hildegard von Bingen.
Aves
Director
A stop-motion menagerie of birds illuminate a nun’s spiritual ecstasy and terror in this experimental animated work set to the music of Christian mystic Hildegard von Bingen.
Heroine of Hell
Writer
A passionate artist creates in order to release her strong pent up emotions. Themes of justice and retribution especially influence her. One night she sees a dying man in a car and decides to search for answers.
Heroine of Hell
Director
A passionate artist creates in order to release her strong pent up emotions. Themes of justice and retribution especially influence her. One night she sees a dying man in a car and decides to search for answers.
Quando Éramos Bruxas
Writer
Retrata a história de duas irmãs, Margit e Katla, que escapam de sua casa depois que sua mãe é apedrejada e queimada por bruxaria.
Quando Éramos Bruxas
Director
Retrata a história de duas irmãs, Margit e Katla, que escapam de sua casa depois que sua mãe é apedrejada e queimada por bruxaria.
Quando Éramos Bruxas
Producer
Retrata a história de duas irmãs, Margit e Katla, que escapam de sua casa depois que sua mãe é apedrejada e queimada por bruxaria.
Quando Éramos Bruxas
Editor
Retrata a história de duas irmãs, Margit e Katla, que escapam de sua casa depois que sua mãe é apedrejada e queimada por bruxaria.
Cycles
Other
As a woman anxiously awaits her overdue period, she performs African-based rituals of purification. She cleans house and body, and calls on the spirits (Orishas in the Yoruba tradition), receiving much needed inspiration and assurance in a dream. The film combines beautifully intimate still and moving images of the woman’s body and home space, along with playful stop-motion sequences. —Jacqueline Stewart, UCLA Film and Television Archive
Border Radio
Sound
Before carving out a niche as one of the most distinct voices in nineties American cinema, Allison Anders made her debut, alongside codirectors and fellow UCLA film school students Kurt Voss and Dean Lent, with 1987’s Border Radio. A low-key, semi-improvised postpunk diary that took four years to complete, Border Radio features legendary rocker Chris D., of the Flesh Eaters, as a singer/songwriter who has stolen loot from a club and gone missing, leaving his wife (Luanna Anders), a no-nonsense rock journalist, to track him down with the help of his friends (John Doe of the band X; Chris Shearer). With its sprawling Southern Californian and Mexican landscapes, captured in evocative 16mm black and white, Border Radio is a singular, DIY memento of the indie film explosion in America.
Mi tía Nora
Sound Mixer
Two women are torn between the past, with its traditions and apparent security, and the future full of uncertainty.
Hinterland
Writer
The relationship between an embittered farm woman and her orphaned niece reaches a breaking point in this dark, psychological pastoral.
Hinterland
Director
The relationship between an embittered farm woman and her orphaned niece reaches a breaking point in this dark, psychological pastoral.
Still
Director
Nietzchka Keene evokes a woman’s fractured inner world in this enigmatic portrait composed in water, mirrors, and blood.