Atsuya Asano

出生 : , Fukushima Prefecture, Japan

参加作品

影の地帯
Producer
「松本清張サスペンス・影の地帯」。2015年7月6日(21:00-22:54)、TBS系列の『月曜ゴールデン』特別企画として放送。主人公は新聞記者の設定。舞台となる都道府県の設定はぼかされているが、撮影の多くは静岡県内で行われた。
三面記事の女たち -愛の巣-
Producer
2015年2月20日、短編「愛の巣」が『三面記事の女たち -愛の巣-』(さんめんきじのおんなたち あいのす)というタイトルでフジテレビ系「赤と黒のゲキジョー」にてテレビドラマ化された。主演はフジテレビの2時間ドラマは初主演となる田中麗奈。
火と汐
Producer
「松本清張生誕100年記念スペシャルドラマ・火と汐」。2009年12月21日(松本清張の生誕日)、TBS系列にて放映されたスペシャルドラマ。
生活
Assistant Director of Photography
If you're crying alone today, may you laugh with someone tomorrow? It's the end of November and Ayumi, a fourth-year university student hasn't received a job offer. She meets her childhood friend, Chiharu, at a company interview as the last chance. She tells her that their mutual friend Iwata is in a mental hospital. Ayumi is disappointed to hear that her boyfriend Takuya, who lives with her, is working at the end of the year and beginning of the new year, but she receives the results of the exam. Meanwhile, Chiharu gives Iwata a sketchbook that she was given before she was hospitalised, with a gift in return. It's not all good, but it's not all bad either. The film is a series of episodes that subtly capture the reality of life. The film digests a timely topic without losing its newsworthiness and makes it a film that everyone can relate to.
ガードレール
Art Direction
A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.
ガードレール
Director of Photography
A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.
ガードレール
Script
A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.
ガードレール
Director
A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.