Atsuya Asano

출생 : , Fukushima Prefecture, Japan

참여 작품

그림자 지대
Producer
The Women on Page 3: The Nest of Love
Producer
Hi to Shio
Producer
生活
Assistant Director of Photography
If you're crying alone today, may you laugh with someone tomorrow? It's the end of November and Ayumi, a fourth-year university student hasn't received a job offer. She meets her childhood friend, Chiharu, at a company interview as the last chance. She tells her that their mutual friend Iwata is in a mental hospital. Ayumi is disappointed to hear that her boyfriend Takuya, who lives with her, is working at the end of the year and beginning of the new year, but she receives the results of the exam. Meanwhile, Chiharu gives Iwata a sketchbook that she was given before she was hospitalised, with a gift in return. It's not all good, but it's not all bad either. The film is a series of episodes that subtly capture the reality of life. The film digests a timely topic without losing its newsworthiness and makes it a film that everyone can relate to.
ガードレール
Art Direction
A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.
ガードレール
Director of Photography
A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.
ガードレール
Script
A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.
ガードレール
Director
A sound only she can hear, a girl only I can see. One night, Maki, a psychology major at university, meets a girl crouched by a guardrail. One night, Maki, a psychology student at university, meets a girl crouched beside a guardrail who tells him she hears the sound of the guardrail. However, when her friend comes to check on her after hearing Maki's story, he does not see the girl. When the girl regains her memory, Maki begins to understand who she really is... By interweaving a sound story and an episode of psychoanalysis, the film succeeds in turning a love story with a ghost into a serious psychic fantasy. The fragility of Kyoko Akiyama as the ghost makes the film even more compelling.