Hans Fromm

A hot, dry summer, like so many in recent years. Forest fires are uncontrollable. Four young people meet in a holiday home on the Baltic Sea not far from Ahrenshoop. Slowly and imperceptibly they are enclosed by the walls of flame. A red sky arches over them. They doubt, they are afraid – not because of the fires, it is love that scares them.

Undine works as a historian lecturing on Berlin's urban development. When the man she loves leaves her, the ancient myth catches up with her. But falling in love anew, Undine reworks the myth of the mysterious water spirit as a modern fairy-tale in a disenchanted world.

Undine works as a historian lecturing on Berlin's urban development. When the man she loves leaves her, the ancient myth catches up with her. But falling in love anew, Undine reworks the myth of the mysterious water spirit as a modern fairy-tale in a disenchanted world.

In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.

"Où en êtes-vous ?" (Where do you stand today?) is a project initiated by the Centre Pompidou, which commissions its guest filmmakers to make a free-form film in response to a question simultaneously retrospective, introspective and focused on their future ideas and projects. Here Christian Petzold is joined by Christoph Hochhäusler as they analyze a sequence from Hitchcock's The Wrong Man (1956) through a series of photograms. With this tribute to Harun Farocki, who died in 2014, Christian Petzold endeavors to revive and perpetuate the spirit, taste and methods of his former teacher and friend.

"Où en êtes-vous ?" (Where do you stand today?) is a project initiated by the Centre Pompidou, which commissions its guest filmmakers to make a free-form film in response to a question simultaneously retrospective, introspective and focused on their future ideas and projects. Here Christian Petzold is joined by Christoph Hochhäusler as they analyze a sequence from Hitchcock's The Wrong Man (1956) through a series of photograms. With this tribute to Harun Farocki, who died in 2014, Christian Petzold endeavors to revive and perpetuate the spirit, taste and methods of his former teacher and friend.

New interview with cinematographer Hans Fromm.

Simon falls head over heels in love with pretty and quick-witted Verena. When his father, who suffers from schizophrenia, has a relapse, Simon devotes himself completely to his mother and little sister and endangers his budding romance. Maneuvering himself into a near-fatal situation, Simon realizes that he cannot change the others' lives, but only his own.

German-Jewish cabaret singer Nelly survived Auschwitz but had to undergo reconstructive surgery as her face was disfigured. Without recognizing Nelly, her former husband Johnny asks her to help him claim his wife’s inheritance. To see if he betrayed her, she agrees, becoming her own doppelganger.

Once again, the "border crossing" is celebrated, as every seven years in the Upper Hessian town of Bergen. It is really turbulent at this folk festival, when the municipal boundaries are confirmed from old tradition and everything is upside down. For this occasion leaves Thomas Weidmann his girlfriend and flees because of his botched university career from the city of Berlin back to his native village. At the party, he meets Kerstin Werner, whose life has just come out of joint - her marriage is broken and her husband Jürgen on the jump to another, younger woman.

In 1980s East Germany, Barbara is a Berlin doctor banished to a country medical clinic for applying for an exit visa. Deeply unhappy with her reassignment and fearful of her co-workers as possible Stasi informants, Barbara stays aloof, especially from the good natured clinic head, Andre.

Johannes is a loner who wants a better job. And then he meets Ana. Ana is attractive and even though her job is even less prestigious than Johannes's, he falls for her. And then she quits her job to be with him (and be dependent on him) and suddenly things become much more serious. She has fallen for him. But does he still love her? Did he ever? Enter Sarah. Sarah is the daughter of Johannes's boss. He and she have a past. Will Sarah and what she represents be his future, and Ana just a memory, something he'd like to erase?

Judith decides to go on her own to the salsa-dancing night, even though her boyfriend, with whom she goes there every week, can’t accompany her. A stranger, with whom she briefly dances, offers to walk her home. Next morning, upon returning home, Judith refuses at first to accept that she’s a rape victim, but in the end decides to go to a doctor and press charges - which prove inadequate to have the rapist convicted. Under the influence of sweeping bodily and mainly psychological oscillations, Judith decides she has to follow an unorthodox path in order to prove the perpetrator’s guilt.

Trouble brews when a war veteran has an affair with a married woman.

A holiday celebration with the extended family gets stretched to the breaking point in this comedy from Germany. Sara is happily married to Jan, though this wasn't always the case -- Sara is Jan's second wife, while Sara has three ex-husbands, Gunnar, Andi and Erich, and she and Jan are raising children from each of their previous marriages. Jan is less than thrilled with the prospect of spending the holidays with Sara's mother, but things get worse when he learns his wife has planned a surprise for Christmas eve -- they'll be joined by Gunnar, Andi and Erich, as well as Erich's new wife Pauline, Andi's current spouse Rita and his own ex-wife, Eva. To call the atmosphere uncomfortable is an understatement, and things only get worse when Sara announces she's pregnant, which is quite troubling for Jan since he's been waiting for the right time to tell her he had a vasectomy several months before.

A young East German woman leaves her husband and business partner and relocates to a West German city to start anew as an accountant, but he soon catches up with her.

Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...

In a German town, teacher Irene leads an inconspicuous, boring, lonely life. One day, a man rings at her door and slips in. It's an armed convict from the prison next door, escaped with a leg wound. He now makes her a prisoner in her own home. Almost without a word, as if she secretly enjoys the excitement or just mesmerized, she obeys Vassily, every single command, even sexual services, submissively or after a symbolic struggle. Somehow that seems to change, but can force initiate love?

Axel and Karla are an ill-matched couple in a borderline situation. The two meet in the hospital. Axel is keeping watch at his son′s bedside and Karla is waiting for some sign of life from her sister. None of the doctors can tell them whether the young couple will come out of their comas after their serious accident. As the weeks of uncertainty, fear and tedium pass by, a peculiar relationship develops between Axel and Karla, sustaining both of them.

Philipp Gerber is a smart, but self-satisfied car salesman. In an inattentive moment at the wheel of his car, he runs over a boy on a bike and, instead of helping him, he drives away. As he has feelings of guilt, he tries to find out more about the accident’s victim.

Middle-aged lawyer Thomas meets Leyla at the pool. After their paths keep crossing, he asks her out on a date. Somewhat to his surprise she agrees. The next morning Thomas awakes to find Leyla and his laptop, which contains vital case files, missing.

With 1970s Germany in the background, this film depicts the story of a family from the “R.A.F. Terrorist” group and their search for a normal life and their inner self.

Petra professionally works as a thief abroad to finance the studies of her younger sister Franziska in Germany.

Tom is constantly running into problems and gets beaten up time and time again.

Drifters tells of Karin, a past-her-prime cosmetics saleswoman, with her increasing exasperation with her life and her dreams of leaving it all behind and living in Paris. An unlikely but entertaining plot develops, where anything can happen.

Documentary about the twin sister Jutta and Gisela Schmidt. In the late sixties the two women rebelled against middle class society as if they gave vent to a new kind of art. They became active in the underground communist party KPD and showed a heart-felt interest in the colour red, the aesthetics of the revolution. Soon, though, the twins quit their experiments in Germany. They left their husbands and went to Rome, where they met the fabulously wealthy Paul Getty III, and soon things got really out of hand.

A German TV documentary that chronicles the daily rehearsals, the filming and all the behind the scenes of Jean-Jacques Annaud's classic "The Name of the Rose". From actors perspectives to the ideas used by the director to produce an impeccable international epic adaptation of Umberto Eco's best selling novel, the film presents the obstacles behind the creation of a production of such large scale and also the making of the many difficult scenes, most of the ones presented here are the characters' murders inside the mysterious abbey.