Bettina Böhler

On a barren island, a mother and son confront years of silence and misunderstandings in writer-director Hanna Slak’s formidable fourth feature film starring Maren Eggert, scored by Amélie Legrand, and shot by Claire Mathon.

A hot, dry summer, like so many in recent years. Forest fires are uncontrollable. Four young people meet in a holiday home on the Baltic Sea not far from Ahrenshoop. Slowly and imperceptibly they are enclosed by the walls of flame. A red sky arches over them. They doubt, they are afraid – not because of the fires, it is love that scares them.

Anna is 60 and her acting heyday is now behind her. She lives on her own but has a friend and confidant in her downstairs neighbour Michel, who is also single. Reluctantly, Anna accepts a job as a language coach for 17-year-old Adrian who has a speech impediment and is something of a misfit. She recognises him as the boy who recently snatched her handbag in the street.

Perhaps they should never have met, but fate wanted otherwise. Monika and Joseph. She is a curator, he is an immigrant from Congo, a businessman with an unclear past and present. They meet during a police raid at a bar, when the first of many sparks flies between them. An understated love story, a melodrama without pathos, a fragile story about the ambiguous nature of love and the impossibility of overcoming it through reason.

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

Using unpublished and newly digitalised archive footage and film material, Bettina Böhler has brilliantly assembled this film about the life and work of the exceptional artist Christoph Schlingensief, who died in 2010.

Undine works as a historian lecturing on Berlin's urban development. When the man she loves leaves her, the ancient myth catches up with her. But falling in love anew, Undine reworks the myth of the mysterious water spirit as a modern fairy-tale in a disenchanted world.

Undine works as a historian lecturing on Berlin's urban development. When the man she loves leaves her, the ancient myth catches up with her. But falling in love anew, Undine reworks the myth of the mysterious water spirit as a modern fairy-tale in a disenchanted world.

Undine works as a historian lecturing on Berlin's urban development. When the man she loves leaves her, the ancient myth catches up with her. But falling in love anew, Undine reworks the myth of the mysterious water spirit as a modern fairy-tale in a disenchanted world.

Hatun "Aynur" Sürücü, a vibrant young Turkish woman and mother is murdered at 23 by her youngest brother in an honor killing. Forced into an abusive arranged marriage with a cousin in Istanbul at 16 by her devout Muslim family, Aynur escapes to Berlin and gives birth to a son. She is considered a disgraceful burden by her parents and siblings, so Aynur soon leaves her family and attempts to start a new life.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

A meaningful account of the personal and professional life of the great Swedish filmmaker Ingmar Bergman (1918-2007) that explores his film legacy, with interviews with his closest collaborators and a new generation of filmmakers.

In an attempt to flee Nazi-occupied France, Georg assumes the identity of a dead author but soon finds himself stuck in Marseilles, where he falls in love with Maria, a young woman searching for her missing husband.

A group of German construction workers set out for a foreign construction site in the Bulgarian province. The strange country awakens adventure feelings among the men. At the same time, they are confronted with their prejudices and mistrust. For two of the men, a nearby village becomes the stage for a competition for the recognition and favor of the village.

Mifti is a teenager as beautiful as she is reckless. Mentally unstable, fed up with her dysfunctional family, oblivious to the youthful world, and aware of the sexual magnetism she gives off with her peculiar appearance, she wanders through the dark path of several bohemian adults with questionable lifestyles.

An anarchist young woman breaks the tacit contract with civilization and fearlessly decides on a life without hypocrisy or an obligatory safety net.

Based on explosive investigations, the thriller "Meister des Todes" ("Master of Death") tells of a German arms manufacturer and their questionable weapon exports to Mexiko.

By chance Paul Kromberger discovers on the internet a photograph of the US opera diva Caterina Fabiani who is the spitting image of Evelyn, his dead wife. His unease and growing sense of alarm are transferred to his daughter, Sophie. Filled with curiosity, she leaves Germany and journeys across the Atlantic to make contact with this stranger.

German family Schroeder is spending their Christmas holidays on the Thai island, Phuket. Of all the things, deep within the sleazy tourist bars and alleys of Patong, the youngest son Felix falls in love with a gorgeous Thai girl Fai who in return appears to mutually attracted to him.

German-Jewish cabaret singer Nelly survived Auschwitz but had to undergo reconstructive surgery as her face was disfigured. Without recognizing Nelly, her former husband Johnny asks her to help him claim his wife’s inheritance. To see if he betrayed her, she agrees, becoming her own doppelganger.

Lorenz Meran, a successful gay author suffering acute writers' block, has to leave Berlin and return to eastern Switzerland to provide care for his aged mother, Rosie. But it is not only his mother's battle against being dictated to and losing her dignity that he is struggling with. It's also his own midlife crisis.

Canada, the summer of 1898. A group of German settlers travel towards the far north in covered wagons with packhorses and their few possessions in tow. The seven travellers set off from Ashcroft, the final railway station. Along with their leader, flamboyant businessman Wilhelm Laser, they are hoping to find their fortune in the recently discovered goldfields of Dawson, but they have no idea of the stresses and dangers which lie ahead on their 2,500 kilometre journey. Before long uncertainty, cold weather and exhaustion begin to take their toll and conflicts escalate. The journey leads these men and women deeper and deeper into a menacing wilderness. (Berlinale.de)

1960年、ナチス親衛隊でユダヤ人の強制収容所移送の責任者だったアドルフ・アイヒマンが、イスラエル諜報部に逮捕される。ニューヨークで暮らすドイツ系ユダヤ人の著名な哲学者ハンナは、彼の裁判の傍聴を希望。だが、彼女が発表した傍聴記事は大きな波紋を呼ぶ。

In 1980s East Germany, Barbara is a Berlin doctor banished to a country medical clinic for applying for an exit visa. Deeply unhappy with her reassignment and fearful of her co-workers as possible Stasi informants, Barbara stays aloof, especially from the good natured clinic head, Andre.

A biographical study of legendary actress Charlotte Rampling, told through her own conversations with artist friends and collaborators, including Peter Lindbergh, Paul Auster, and Juergen Teller. Intercut with footage from some of Rampling's most famous films, this "self-portrait through others" is a revealing look at one of our most iconic screen stars.

This intricate historical drama tells the story of actor Ferdinand Marian (Tobias Moretti), who is ordered by Nazi propagandist Joseph Goebbels to star in the 1940 anti-Semitic film Jew Suss. Despite his cooperation, Ferdinand's actions have unexpected costs. Ferdinand's Jewish wife, Anna (Martina Gedeck), is sent to a concentration camp, and as World War II intensifies, he rebels against the Nazis, leading to the destruction of his career.

A few weeks after palliative nurse Hans spends New year's eve completely with new acquaintance Simone, she finds herself pregnant, unplanned. At another surprise meeting, handsome Hannes surprises her by reacting to the news by offering her to move into his fine home. While Hannes devotes himself further to terminal hospital patients, Simone lazily renovates the house, but somehow gets jealous of the neighbors and compromises everything.

Thirteen German directors present short films exploring the state of their country.

About sweeping love, rock & roll and getting rid of all that stale air of the fifties. You've got the good guys - that's Lulu and Jimi - and the bad guys: Lulu's mother Gertrud, her secret lover Schultz, the chauffeur, and a wicked old shrink, Von Oppeln, crouching in his gloomy office like a spider waiting to pounce on his prey Lulu. Light and darkness, bright garish colours, hot rock & roll and wild dance numbers mark this road movie about lovers fleeing from the evil powers of a deeply bigoted society. A drama about the relationship between a young black man and a rich German girl.

Trouble brews when a war veteran has an affair with a married woman.

A young East German woman leaves her husband and business partner and relocates to a West German city to start anew as an accountant, but he soon catches up with her.

On Christmas Eve, Francesca sets out for Rotterdam in order to find her little sister, who has run off with her musician boyfriend. On the way, she picks up Gerlinde, a heartbroken older woman at the end of her rope.

A family spends three summer days in a beautiful lake mansion close to Berlin. Together with her new lover, Irene visits her brother Alex, who still inhabits the house with Irene's writer son Konstantin. Konstantin's girl-friend pops in, too, and all of them drift away from each other more and more.

Angelina Maccarone's intense drama deals with the obsessive relationship between a confused teenager and an elder woman. Elsa Seifert successfully works as probation officer, but the relationship to her longtime companion is in trouble since their common daughter moved out. Then she gets to know Jan, a 16-years-old offender, who frankly offers to submit himself sexually to her. Although being shocked in the beginning, Elsa gets more and more attracted by the young man...

An average, everyday metalworker and volunteer firefighter content in his marriage to his childhood sweetheart finds his emotions unexpectedly stirred when he falls for a pretty waitress from a nearby town.

A young teenage single mother (Maggi) struggling to raise her baby daughter (Lucy) finds the weight of responsibility bearing down on her shoulders. Maggy was forced to grow up before her time. Thankfully for Maggi, her mother is always willing to help though Maggy still lives at home with her mother, it's obvious that she longs to gain some independendence. Meeting Gordon at a local club, who is a few years older, makes a living and has his own apartment. One night, after a heated argument with her mother, Maggi makes the decision to move in with Gordon. Though the pair subsequently make a sincere attempt to be good parents.and do what's best for Lucy, they soon find that taking on the responsibilities of adulthood aren't so easy when you've barely moved past childhood yourself.

Survival is not enough. Fariba Tabrizi has made it. Under peril of death she has fled from Iran. In Germany she has no alternative way of avoiding the threat of deportation other than to assume the identity of a deceased co-detainee. So what happens after a few month in which she has tried to come to terms with a situation which is actually an insufferable one for her? How does Fariba live not only in this external state of exile but also in an inner state of exile? The term "in orbit" is officially used by the UN to refer to asylum-seekers who find themselves orbiting around planet Earth because they can actually find legal domicile nowhere at all.

Nina, an end-of-teenage orphan with mental problems, starts a new job as a garden cleaner when she meets Toni. They fell in love with each other, but soon Toni starts betraying Nina. In the meantime, Francoise is picked up at a psychic department of a Berlin hospital by her husband, Pierre. After seeing Nina, Francoise believes that she has found her kidnapped daughter Marie, but neither Toni nor Pierre believe her. Nina is unsure about what to think...

Marseille describes an interlude in the life of young Berlin photographer Sophie. Wanting a change, Sophie does an apartment swap, so she can go photograph the city of Marseille, and most of all get away from Berlin.

Axel and Karla are an ill-matched couple in a borderline situation. The two meet in the hospital. Axel is keeping watch at his son′s bedside and Karla is waiting for some sign of life from her sister. None of the doctors can tell them whether the young couple will come out of their comas after their serious accident. As the weeks of uncertainty, fear and tedium pass by, a peculiar relationship develops between Axel and Karla, sustaining both of them.

When 12-year-old Elsi Björkman and her mother Paula return from a week's holiday abroad, Elsi immediately notices that someone has been in her room. She tells her mother about it, but she does not believe her. At the local supermarket Elsi meets Henry, who seems to spend his time returning shopping trolleys. Elsi does not know anything about the boy, who has an irritating habit of appearing from out of nowhere, only to disappear again, as if into thin air. Nevertheless, the children become friends.

German film.

Jost roams through the streets of Berlin. He opposes the world enraged, aggressively and furiously in a self-destructive way. He continuously provokes situations proving to himself that everybody hates him. He is convinced he does not need anybody and does not let anyone get close to him. Anna is walled in by her fear and unable to leave her apartment. She manages to keep this situation from all the others in a system of lies. Her reserves draw to a close. She heads for a catastrophe. One day, Jost shows up at her door.

Philipp Gerber is a smart, but self-satisfied car salesman. In an inattentive moment at the wheel of his car, he runs over a boy on a bike and, instead of helping him, he drives away. As he has feelings of guilt, he tries to find out more about the accident’s victim.

Ayesha is a widow with a secret past, living with her beloved son Saleem in a small town in Pakistan close to the Indian border. When the fires of Islamic nationalism invade their tranquil lives, Saleem and a few of the town's other young men are soon gripped by a religious fervour, and they attempt to bring radical Islamic law to their friends and neighbours. After a group of Sikh pilgrims arrive in town, tensions reach boiling point as Ayesha's haunted past comes rushing back.

Middle-aged lawyer Thomas meets Leyla at the pool. After their paths keep crossing, he asks her out on a date. Somewhat to his surprise she agrees. The next morning Thomas awakes to find Leyla and his laptop, which contains vital case files, missing.

A woman faces a variety of emotional crises as she spends the summer interacting in various ways with friends, family, and lovers.

Heidi M. is in her late forties and has a small store in the pulsating center of Berlin. She goes out in the evenings with her friend Jacqui, but when she is unexpectedly confronted with romantic love, old wounds are opened.

With 1970s Germany in the background, this film depicts the story of a family from the “R.A.F. Terrorist” group and their search for a normal life and their inner self.

Mimmi is a very lonely girl, not knowing what to do with her life. On the search for friends and boyfriends, she wanders around alone in different cities.

A 15 year old boy (Beni) falls in love with Fögi, a singer in a Rock band. As Fögi seduces him, he is only willing to follow him where ever Fögi wants to. But Fögi is a drug addict and pulls Beni deeper and deeper into the hell of drug addiction.

An eccentric homage to the Rainer Werner Fassbinder days of German filmmaking.

Tom is constantly running into problems and gets beaten up time and time again.

In this German political drama, an ex-Stasi agent encounters an old friend whom he may have betrayed after his friend tried to escape East Germany. The former East German agent is Otto Skrodt who after many years is about to be promoted in the highest government ranks. He is anxious to maintain a squeaky clean image. His daughter is Isabelle. The young and friendly Kalle returns after spending many years in jail for his escape attempts. He doesn't know exactly who blew the whistle, but his friend Skrodt is definitely under suspicion. Kalle returns to ostensibly renew the friendship and to see Isabelle whom he loves. The duplicitous friendship between the two men becomes the main focus of the story which features interesting plot twists at the end.

A rehabilitation center for physically handicapped children and youth is the focus of this docudrama. Long corridors, offbeat characters and passions.

Germany, right after the re-unification. The people are out of control, blind hatred towards immigrants is common sense. In this time, a social-worker, with the mission to bring a Polish family to their destination (an immigration camp in a little provincial town called Rassau), gets kidnapped just as the family. Chief inspector Koern and his girl-friend start to investigate in this matter in Rassau, exploring a world of obsessive sex, mislead lust and an over-whelming irrational love to the German nation, infiltrating anyone's mind. Rascism doesn't start with shaved hair and boots but rather in the middle of society itself...

OSTKREUZ tells the episodic story of 15-year-old Elfie, who literally and metaphorically inhabits a no-man’s-land between the two Germanies shortly after the fall of the Berlin Wall. The film deploys a neorealist aesthetic to reinforce the difficulties confronting the girl, and by inference, Germany.

A man migrates from Poland over Germany into the US.

Pride is the first of the seven deadly sins. The introduction is made through early allegorical forms and figures (triumphal procession, dance of death, Baroque tragedy etc.) The triumphal procession of the giant haystack as a symbol of human vanities becomes a military parade of abrupt, functional and arrogant gestures. The most diverse musical fragments and rhythms intone the montage of details in the staged triumphal procession, juxtaposed with documentary images, including marches, ticker-tape parades and military review.

Julia and Romeo are two disenchanted lovers who want to break up but are unwilling to suffer the pain. After a nasty fight, Romeo storms off and unsuccessfully vents his frustration with a black prostitute. While visiting the ramshackle brothel, he sees a strange man, who may be a government official, handing over a huge wad of money. Later, he and Julia reunite and go to an upscale golden anniversary party. There a handsome American flirts with Julia. After yet another row, Romeo and Julia retire to the balcony for a love scene. Unfortunately, their making up is interrupted by a sudden power outage. When the lights go back on, Romeo finds the knifed corpse of the party's hostess at his feet. Naturally, he's accused of the crime, but before the other partygoers can get him, he and Julia flee into the Berlin summer night. Their strange series ensuing adventures comprise the rest of the film.

Seven Women, Seven Sins (1986) represents a quintessential moment in film history. The women filmmakers invited to direct for the seven sins were amongst the world's most renown: Helke Sander (Gluttony), Bette Gordon (Greed), Maxi Cohen (Anger), Chantal Akerman (Sloth), Valie Export (Lust), Laurence Gavron (Envy), and Ulrike Ottinger (Pride). Each filmmaker had the liberty of choosing a sin to interpret as they wished. The final film reflected this diversity, including traditional narrative fiction, experimental video, a musical, a radical documentary, and was delivered in multiple formats from 16, super 16, video and 35mm.

Dilettantishly cruel scenes from the "scene": A skinhead loves a dance girl and dreams of a petty-bourgeois future. When he is deprived of the wages of a robbery by his landlady, an impoverished princess, he kills her. His girlfriend sinks to being a prostitute and is also killed. It all ends in the prison cell with a dream vision of a white wedding in Berlin's Memorial Church. First film shot on Super-8 and blown up to 16mm by Tabea Blumenschein, who became known as a performer in underground films and as a costume designer.