Bilge Bingul

Twelve years after he fled, career criminal Trojan returns to Berlin. A valuable painting is set to be stolen in the city. But the meticulously planned heist soon runs out of control.

30 years ago, Juri fled the GDR for the West via the Prague embassy and built up an existence in Canada. Thirty years later, he returns to his hometown of Eisenach to take care of his demented father, a former veterinarian. He also meets his former girlfriend Katharina again, who did not follow him onto the embassy grounds back in Prague and whom he has not seen again since. Katharina has been married for years now and is the mother of a grown-up son and a teenage daughter. She helps Juri find a place for his father in a nursing home and soon feels drawn to Juri again. Juri wants to return to Canada, but since the home placement for his father fails, Juri stays in Eisenach.

As the plague decimates medieval Europe, rumours circulate of a village immune from the plague. There is talk of a necromancer who leads the village and is able to raise the dead. A fearsome knight joined by a cohort of soldiers and a young monk are charged by the church to investigate. Their journey is filled with danger, but it's upon entering the village that their true horror begins.

A day in the life of the 21 years old Deniz, who aims to become an actress and makes her living by dubbing movies. After she has split with her old boyfriend she gets to know Diego and spends the evening with him.

With 1970s Germany in the background, this film depicts the story of a family from the “R.A.F. Terrorist” group and their search for a normal life and their inner self.

Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.

Thomas Arslan's second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.