Bilge Bingul

Twelve years after he fled, career criminal Trojan returns to Berlin. A valuable painting is set to be stolen in the city. But the meticulously planned heist soon runs out of control.

30 years ago, Juri fled the GDR for the West via the Prague embassy and built up an existence in Canada. Thirty years later, he returns to his hometown of Eisenach to take care of his demented father, a former veterinarian. He also meets his former girlfriend Katharina again, who did not follow him onto the embassy grounds back in Prague and whom he has not seen again since. Katharina has been married for years now and is the mother of a grown-up son and a teenage daughter. She helps Juri find a place for his father in a nursing home and soon feels drawn to Juri again. Juri wants to return to Canada, but since the home placement for his father fails, Juri stays in Eisenach.

흑사병이 창궐하던 시기, 모든 마을에서 사람들이 죽어 나가지만 유독 한 마을에서만 흑사병 사망자가 없다. 이에 추기경은 그곳에 마녀와 마법사가 있다고 의심하여 사람을 보내는데..

A day in the life of the 21 years old Deniz, who aims to become an actress and makes her living by dubbing movies. After she has split with her old boyfriend she gets to know Diego and spends the evening with him.

좌파 테러리스트였던 부모로 인해 15년간 항상 쫓기는 생활을 해야 하는 잔느는 다른 십대소녀들처럼 유행하는 옷도 입지 못하고 남자 친구도 사귀지 못한다. 호텔에서 가지고 있던 돈을 잃게 되자 이들은 어쩔 수 없이 독일로 돌아가게 되는 상황에 처하게 된다.

Can and his girlfriend, Jale, live with their young daughter, Meral, in a tough Turkish neighbourhood of Berlin and barely manage to scrape enough money together for their existence. Can is a small-time dealer and errand-boy for drug boss Hakan, who has to keep his customers supplied within his narrowly staked out territory. Jale, who works in the ware-house of a department store, has been pressing Can to give up this activity. Can, also fed up with his situation, sees a bright new beginning for himself and his family when Hakan offers him the prospective chance to run a bar on his very own. But Can has little control over the pressures that gradually begin to build up around him and soon finds himself floundering in quicksand.

Thomas Arslan's second feature film and part of his Berlin-trilogy is a slow-paced milieu study of German-Turkish youth in Berlin-Kreuzberg. The film depicts the every day life, domestic conflicts, dreams and disappointments of three siblings and their aimless, meandering strolls through the Kreuzberg district.