Julie Ng

参加作品

きみがぼくを見つけた日
Epk Producer
幼い頃、母を奪った交通事故がきっかけで、時間を旅する超能力に目覚めたヘンリー。だがその能力は意志とは関わりなく発現し、彼を過去と未来をランダムに行き来する時の放浪者にしてしまった。そんなある日、彼は美しい20歳の女性クレアに出会う。なんと彼女はヘンリーがタイムトラベラーだと知っており、6歳の時に彼と初めて出会ったのだという。彼女と恋に落ちたヘンリーだが、そんな2人をタイムトラベルは容赦なく引き離す。
Dead Teenager Movie
Producer
DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.
Dead Teenager Movie
Director
DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.
Kill Shot: The Making of 'FD3'
Director
KILL SHOT is an in-depth documentary about the pre-production, production, and post-production process of making New Line Cinema's FINAL DESTINATION 3. We explore the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.