Epk Producer
“돌아갈게... 당신이 있는 시간으로” 나는 시간여행자다. 어릴 적 교통사고 때 시간이동을 경험한 이후 나의 의지와는 상관없이 시간 여행을 하게 되었다. 갑작스런 시간 이동 후엔 알몸으로 낯선 곳에 떨어지기 때문에 늘 추위에 떨거나, 옷을 훔쳐 경찰에 쫓겨야 하는 신세이다. 현재의 삶은 언제나 외롭다. 매일 혼자 맞는 아침이 익숙해져 갈 때쯤 그녀가 나타났다. 아침 햇살처럼 빛나는 그녀가... “기다릴게… 당신이 올 때까지” 그를 처음 만난 날을 기억하고 있다. 여섯 살이던 해, 나만의 비밀 초원에 나타난 그는 자신을 시간여행자라고 소개했다. 그는 먼 훗날 우리가 친구가 될 거라 했다. 나는 매일매일 그가 찾아와주길 기다렸고, 나와 사랑에 빠지기를 기다렸다. 스무 살이 되던 해, 드디어 그를 다시 만났다. 나를 기억하지 못하는 스물 여덟 살의 그를...
Producer
DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.
Director
DEAD TEENAGER MOVIE is a short-format documentary examining a specific sub-genre of teen slasher films; namely the Dead Teenager Movie - a term coined by movie critic, Roger Ebert. Through the use of interviews with cultural professors, film historians, directors, writers, producers and film critics, and with visual aids from movie clips of several dead teen horror films, the documentary explores the origins of these stories from their beginnings in urban legends to their jump to the big screen in the late 70s to their modern incarnations (like FINAL DESTINATION 3 and its two predecessors). It look sat what clichés and stereotypes define the sub-genre, and how they have developed in cinema over time, particularly finding a home at New Line Cinema.
Director
KILL SHOT is an in-depth documentary about the pre-production, production, and post-production process of making New Line Cinema's FINAL DESTINATION 3. We explore the history of not only the film itself but of its filmmaking partners, Glen Morgan and James Wong and gain insight on the production as a whole. Includes early development meetings, on-set action, interviews with cast and crew, visual effects development, test screening process as well as an elaborate ending re-shoot.
