Mie

"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.

A youngster, Wil had a dissatisfaction to the society which the computer controls the total life of a person. One day he catches a strange telepathy from outer space.

Lacking a coherent plot, We're All Riding on a Circus Elephant depicts the collapse of western civilization as a free-form collage advocating group anarchy and actor improvisation. The stage is a boxing ring. Those actors who are "onstage" get into the boxing ring and assault each other with words. Others heckle and cheer at the sidelines, or act as a rhythm-and-blues chorus while changing costumes or wigs. Taking as its coda Andy Warhol's dictum that everyone gets fifteen minutes of fame, actor transformations depict the Breakdown of Japanese values and selfhood due to an obsession with popular American culture.

A High Class Call Girl is revisited by her ex lover who she thought died 5 years prior.

男は、駅の改札で切符切りの仕事をする地下鉄職員。仕事は単調で退屈な上に、家でも妻子を相手に代わり映えのしない毎日を過ごしている。ある日、息子が夏休みの課題の昆虫採集に使う注射と睡眠薬を見て、ふとある悪巧みを思いつく。やがて彼はある薬品を自ら大量に仕入れると、ひとり暮らしの若い女性の部屋に行き、相手を眠らせるという不埒な犯罪を繰り返していく。

70年代の超ビッグアイドル、ピンク・レディーの記念すべき初主演作。ピンク・レディーの主演映画を作るために監督・脚本家らが出した様々なアイディアを、彼らの空想の中で実際にピンク・レディーが演じるという、オムニバス仕立てのファンタジー。