"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.
A youngster, Wil had a dissatisfaction to the society which the computer controls the total life of a person. One day he catches a strange telepathy from outer space.
Lacking a coherent plot, We're All Riding on a Circus Elephant depicts the collapse of western civilization as a free-form collage advocating group anarchy and actor improvisation. The stage is a boxing ring. Those actors who are "onstage" get into the boxing ring and assault each other with words. Others heckle and cheer at the sidelines, or act as a rhythm-and-blues chorus while changing costumes or wigs. Taking as its coda Andy Warhol's dictum that everyone gets fifteen minutes of fame, actor transformations depict the Breakdown of Japanese values and selfhood due to an obsession with popular American culture.
The man has a monotonous job punching tickets for the Japanese railway. One night, while walking home, he saves Jun from getting raped by two hoodlums. A few days later, he sneaks into her house but gets discovered. Later, as he watches his son subdue an insect with a chemical, the man gets an idea to subdue women while they're sleeping so he won't be discovered sneaking into their home. His new hobby spirals out of control as his confidence grows.
An awkward attempt to build a movie around Pink Lady, the name given to a Japanese pop music duo consisting of the very pretty short-haired Mie and the long-haired Kei. Their popularity in Japan lasted from 1976 to 1979 before their attempt to break into the American market with the ill-fated TV show, "Pink Lady and Jeff" (1980), which wound up setting back the cause of J-pop in America by nearly 30 years. Pink Lady they gained a certain amount of attention from the sexy disco-inspired outfits they wore in concert, generally featuring shiny scanty tops, tight hot pants and gold or silver boots, seen to good advantage in some segments of the movie. This musical features the Pink Ladies as circus performers who show kindness toward a captured "monster," a sad, furry being (played by a man in a bulky, over-sized pink acrylic costume) who suffers acts of unusual cruelty by the keeper and ringmaster before the girls escape with the creature in a circus trailer.
