Michael Hild

A love triangle forms between post-Enlightenment writer Friedrich Schiller and two sisters -- one who became his wife, and the other, his biographer.

Mid-19th-century, Baltic Sea port city of Lubeck, Germany. Follows the fourth generation of the Buddenbrook mercantile family as Tony and Thomas reach the age of marriage. Fatefully impeded every step of the way, the Buddenbrooks struggle as economic hardship and personal defeats weigh down family relations.

1818 in the Münsterland: Innumerable pilgrims seeking comfort and consolation visit the bedside of Anna Katharina von Emmerich, a nun whose body bears marks of the holy wounds of Christ on her chest, forehead and hands. Clemens von Brentano, an artist in his prime, visits the nun′s sickbed as a simple "writer of the wonders of God" to take down her visions and beliefs. He believes himself to be in charge of his life as a devout Catholic. The former rake′s encounter with the charismatic nun proves fateful, however. For both of them.

Documentary continuing Breloer's exploration of Speer's life, focusing on the post-Spandau years.

A rebellious young woman is thrown out by her wealthy, but marbly parents and gets into a nightmare of poverty, prostitution and sickness.

Dominik Graf relocates the story of the same name by Henry James from the 19th century to the year 2001.

Simon, the leader of a police special unit, becomes caught up in a complex scheme involving bribery and money-laundering, as well as an affair with the beautiful wife of a government official investigating organized crime and political corruption. After the official is kidnapped, the chase leads to a dramatic conclusion high in the Bavarian Alps.

The main characters of the story are Pauli, a teacher's son, and Sepp, the son of a sawmill owner. They get to know each other while serving as altar boys, become friends and decide to form their own gang with themselves as leaders. Their first major objective will be a battle against a notorious gang from the neighboring village . . .

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

Beleaguered by choppy editing and potholes in the script, this story is about the bond that develops between an aging, former railroad worker living in an abandoned theater and Willie, the wayward, alcoholic architect he shelters (Elliot Gould). The flaws in the script and story development, and the architect's exaggerated character traits, work against the concept of a growing friendship between the two men and leave the main thrust of the film in limbo. A subplot has a gang of street thugs chasing Willie all over the city in order to retrieve some photos of a murder he accidentally recorded. At the same time, Willie is trying to reconcile with his son, left in the care of his neglected wife. ...