Michael Hild

몰락한 귀족집안의 두 딸 카롤린과 샬롯은 서로를 자신처럼 아끼는 둘도 없는 자매다. 쓰러져 가는 가문을 살리기 위해 17세의 어린 나이에 부유한 귀족의 아내가 된 장녀 카롤린은 원치 않았던 결혼이었음에도 불구하고 어머니와 샬롯을 위해 모든 걸 이겨낸다. 그런 언니의 모습을 안타깝게 지켜보던 동생 샬롯은 어느 날, 가난하지만 장래가 촉망되는 시인 프리드리히 쉴러를 운명처럼 만나 사랑에 빠진다. 그러던 중 결혼 승낙을 받기 위해 노력하던 두 사람 앞에 언니 카롤린이 나타나면서 세 사람의 운명은 예측할 수 없는 길을 향해 흘러가는데...

Mid-19th-century, Baltic Sea port city of Lubeck, Germany. Follows the fourth generation of the Buddenbrook mercantile family as Tony and Thomas reach the age of marriage. Fatefully impeded every step of the way, the Buddenbrooks struggle as economic hardship and personal defeats weigh down family relations.

1818 in the Münsterland: Innumerable pilgrims seeking comfort and consolation visit the bedside of Anna Katharina von Emmerich, a nun whose body bears marks of the holy wounds of Christ on her chest, forehead and hands. Clemens von Brentano, an artist in his prime, visits the nun′s sickbed as a simple "writer of the wonders of God" to take down her visions and beliefs. He believes himself to be in charge of his life as a devout Catholic. The former rake′s encounter with the charismatic nun proves fateful, however. For both of them.

Documentary continuing Breloer's exploration of Speer's life, focusing on the post-Spandau years.

A rebellious young woman is thrown out by her wealthy, but marbly parents and gets into a nightmare of poverty, prostitution and sickness.

Dominik Graf relocates the story of the same name by Henry James from the 19th century to the year 2001.

Simon, the leader of a police special unit, becomes caught up in a complex scheme involving bribery and money-laundering, as well as an affair with the beautiful wife of a government official investigating organized crime and political corruption. After the official is kidnapped, the chase leads to a dramatic conclusion high in the Bavarian Alps.

The main characters of the story are Pauli, a teacher's son, and Sepp, the son of a sawmill owner. They get to know each other while serving as altar boys, become friends and decide to form their own gang with themselves as leaders. Their first major objective will be a battle against a notorious gang from the neighboring village . . .

The film presents the political events surrounding the Anschluss in March of 1938 through the lives of Carola Hell, a popular young actress at the prestigious Theater in der Josefstadt, and Martin Hofmann, the Jewish journalist she plans to marry. When we encounter the couple in the lovely springtime weather their future is full of promise. They are determined to stay clear of politics. Yet in the climate of the time, nobody of her prominence or his religion can remain apolitical. Although Martin's journalist friend, Drechsler, calls to inform them that the Nazis plan to take over Austria soon, they concentrate on their work and their private happiness and dismiss the warnings.

Beleaguered by choppy editing and potholes in the script, this story is about the bond that develops between an aging, former railroad worker living in an abandoned theater and Willie, the wayward, alcoholic architect he shelters (Elliot Gould). The flaws in the script and story development, and the architect's exaggerated character traits, work against the concept of a growing friendship between the two men and leave the main thrust of the film in limbo. A subplot has a gang of street thugs chasing Willie all over the city in order to retrieve some photos of a murder he accidentally recorded. At the same time, Willie is trying to reconcile with his son, left in the care of his neglected wife. ...