Thibaut Granier

Following the death of her younger brother during a police intervention, Malika embarks on a legal battle to ensure a trial takes place. However, her quest for truth jeopardizes the stability of her family.

Tony is a macho middle-aged school bus driver in the provinces with no friends or relations. A sudden heart attack throws him into a tailspin. Tony's convinced he's going to die. When his cardiologist warns him : We all need others. Alone, we're nothing. Tony decides to reconnect with the daughter he abandoned twenty years earlier, when she was just a baby. Still a coward, he's unable to screw up the courage to actually confront her directly. So he decides to sign up for a dance class she's teaching in Paris. Incognito, of course. To get to know her gradually… in a desperate attempt to give some meaning to his empty life. In the process, he has more than a few dance steps to learn!

It takes him suddenly at 40 years: Frédéric wants a baby, Claire never wanted one and they agreed on that. He commits the unforgivable and makes a child behind her back. Claire turns into a whale and Frédéric becomes a doting father.

Following a huge misunderstanding, two friends always decide to tackle everything to make up for lost time.

Pierre Hoffman joins a prestigious school as a substitute teacher and soon notices, among some of his students, an unjustified hostility and a spark of violence in their eyes. Is it because the unspeakable tragedy they have just experienced? Is it because they seem to be extraordinarily gifted children? Is it because they have lost all hope for the future? From curiosity to obsession, Pierre will try to unlock their secret.

A family on the brink of a break up: dad is about to throw out mom because of her gambling addiction, the oldest boy's girlfriend is about to leave him because of his epilepsy and the youngest child thinks he has the perfect plan to bring the family back together again.

We are with Pasolini during the last hours of his life, as he talks with his beloved family and friends, writes, gives a brutally honest interview, shares a meal with Ninetto Davoli, and cruises for the roughest rough trade in his gun-metal gray Alfa Romeo. Over the course of the action, Pasolini’s life and his art (represented by scenes from his films, his novel-in-progress Petrolio, and his projected film Porno-Teo-Kolossal) are constantly refracted and intermingled to the point where they become one.

Borrowing its title from the William Carlos Williams poem of the same name, Nameless Spectacle revela in the beauty of ordinary life through themes of voyeurism, power, and sexual violence. Projected on two duelling screens the viewer is unable to focus on the parallel perspectives of the film’s dual perspectives.

自分に課した３つのルールを厳格に守りつつ犯罪すれすれの運び屋家業を続けるフランク。ある日いつものように運び屋の依頼が舞い込む。指定された時刻に指定重量のバッグを運ぶ。簡単ないつもの仕事のはずだったが、車のパンクを修理する途中バッグが動きだし中から声がするのを見つけ不審感がぬぐえなくなったフランクはついに自分に課したルール「荷の中身は見ない」を破り バッグを開けてしまうと中からはアジア人の美女があわられるのだった。