Boris Nelepo

参加作品

A Ship of Madness: Deeper and Higher with Pazucus
Self
With free eyes, an open heart, good friends and a handful of luck, Gurcius Gewdner revisits some of his adventures of the past five years, survives the relentless Russian winter and asks the following question: How far can an underground Brazilian film go?
Ducky-Ducky-Ducky
Producer
Two beautiful girls, a lake, trees, and an elderly gentleman casually fishing. What happens if the girls go mermaid? Sergei Solovyov himself plays the man too old to care for the strange ideas of some gorgeous nymphs. A cinematic bagatelle by a director whose art and heart was always with the young.
Donkey Hot
A satirical interpretation of the modern debut launch process from the perspective of two young director's personal experience. Chivalrous walk to the meeting with a producer becomes a nostalgic journey down memory lanes where fears, turmoils and disappointments of recent months are mixed together. The path to dream's implementation is hampered by mainstream's lack of understanding - the confrontation which resembles a fight with windmills.
Correspondences
Jorge de Sena was forced to leave his country. First he moved to Brazil, and later to the USA. He never returned to Portugal. During his 20-year-long exile, he kept an epistolary correspondence with Sophia de Mello Breyner Andresen. These letters are a testimony of the profound friendship between the two poets, letters of longing and of desire to “fill years of distance with hours of conversation”. Through excerpts and verses, a dialog is established, revealing their divergent opinions but mostly their strong bond, and their efforts to preserve it until their last breaths.