Shigeaki Mori
略歴
Shigeaki Mori is a Japanese film producer and editor.
Producer
Chiho has prohibited her husband, Takahashi, from smoking while she is trying to become pregnant. Takahashi hasn’t told his wife he was laid off, and has a paid sexual encounter with a high-school student, attracted by the pungent odor of her cigarettes, Peace Regulars. That evening, Chiho became outraged by the foul odor of the Peace Regulars saying it reminded her of an elderly relative having shoved the same brand of cigarettes into her genitals in the distant past. In fact that memory was not Chihos, but that of her twin sister, Kaho.
Producer
Despite the fact that Kyoko's a girl herself, approaching women on the streets and asking them to pose nude for her proves to be quite a chore. At first she accosts every pretty girl that walks by, until Miho catches her eye. Feeling that she has that certain something special, Kyoko insists that Miho pose for her. Her own life floating rudderless after the separation of her parents, Miho accepts, half entertaining the idea to get back at her father, who has gone on to form a new family and who hasn't been in touch with her in years. The two girls walk around town, Kyoko snapping pictures and listening to Miho's stories. Gradually the two young women begin to sense a mutual attraction. When the time comes to get down to the nitty gritty of the nude shots, the girls' defences come down along with their clothes.
Producer
雪の夜のコンビニ。31歳の女性ルポライター早川玲が酒を買いに来る。彼女は、いつの頃からか頭の中で聞こえる“声”の存在に悩まされていた。そのせいで、不眠、過食、食べ吐きを繰り返していた。コンビニで一人の男を目に留めた玲は男の後を追う。男は岡部希寿というフリーの長距離トラック運転手。玲は岡部のトラックに乗り込み酒を飲み始める。やがて2人は、アイドリングの振動を感じながら肌を重ねる。夜明けを迎え、一度はトラックを降りた玲が、再び戻ってくる。そして岡部のトラックは、玲を乗せ東京から新潟へ向けて走り出す…。
Producer
CMディレクター樽見の初監督作品は、連合赤軍による同志リンチ事件を描いた小説『光の雨』の映画化だった。そのメイキング撮影を依頼された若手映画監督・阿南は快諾し、オーディションからカメラを回し始める。若手俳優たちは阿南のカメラに向かって、30年前に実在した、自分たちと同世代の革命闘志の心情がうまく掴めないことを語る。キャストが決定し、撮影はいよいよ本格的にスタート。吹雪吹き荒れる極寒の地・知床での合宿ロケが始まった。だが“総括”シーンの撮影が続く中、樽見監督が現場から突然姿を消してしまう……。
Producer
東京都新宿区歌舞伎町。日本一の歓楽街として知られる街は今や、中国人たちが勢力争いを繰り広げる街と化していた。日本と台湾のハーフ・劉健一は、歌舞伎町で故買屋をしながら中国人の裏社会を器用に渡り歩いていた。そんなある日、かつての仕事のパートナー・呉富春が歌舞伎町に現れたと聞かされる。
Producer
Based on the long running manga by Sadao Shouji.
Producer
倍率76倍という超人気の高層公団マンションに当たった与志は友人の専一に間貸しして一緒に住むことに。やがて、入居祝いで盛り上がった酒場で出会った二人の女が彼らのマンションに転がり込んできて4人の奇妙な共同生活が始まった。
Producer
若手カメラマン柴田は、黒社会の実態をルポにするというノンフィクションライターの立神とともに香港へと飛んだ。だが2人は麻薬取引の現場で犯罪組織に見つかり、命からがら逃げ出すはめに。立神は追手の目を欺くため柴田を女装させ、場末のナイトクラブへと逃げ込んだ。2人はそこでタッチ&マギーなるマジシャンコンビとして働くことになるが、その矢先、店で働く女性シンガー、コーラがタッチこと立神に恋してしまい……。
Producer
"Atlanta Boogie" centers around a mock track meet between the "normal" and "good" citizens of Yokohama and those they want to expel from the neighborhood: the illegal foreign workers, the deadbeats, the juvenile delinquents, and elderly.
Producer
Ryuichi Okagawa, a Japanese writer who worked as a reporter in China has been sick ever since his return home. While in China, Okagawa had met a devoutly religious girl named Jin-hua. Okagawa was born with a predisposition to agonizing recurrent migraines, but found happiness with Jin-hua and married her. Unfortunately, he already had a wife in Japan, and this revelation crushed Jin-hua. When Okagawa returned home, leaving Jin-hua behind, she was forced to work as a prostitute, catching both a severe case of the flu and a rather less socially acceptable condition. Meanwhile, Okagawa's guilt has torn him apart enough for him to return to China in an attempt to bring Jin-hua home with him to get medical attention, but the girl is already too far gone for his help.
Producer
The members of the Ameya family are all scammers. After their election scheme goes bust in their hometown, they move from Shikoku to Tokyo and resume their fraudulent activities. Everything carries on smoothly until the eldest and the fourth sons' modus operandi go awry, the mother's lover runs off with another woman, and disasters strike one after another. This film is a collaboration between Yoichi Sai and Goro Kishitani following "All Under the Moon." The family business of the Ameya family is defrauding people. The matriarch, who keeps getting married and divorced, has five children with different fathers. The Ameya family chases after fortune and leaves a trail of trouble on their path.
Producer
いつも、なにか、ものたりなかった。若者はいつの時代も退屈な日常の中で生きているーー。夏の終わりのある朝、ロングボードをミゼットに積んでヒロシ(加勢大周)が稲村に帰ってきた。ヒロシを待ち受けていたのは、伊勢佐木町のチンピラ、カッチャン(的場浩司)だ。ボスの骨董ツボを横流ししたラテン・バンドのリーダー、マサシ(金山一彦)を追っていると言う。そんな所へ、横須賀の波子(清水美沙)という飛び切りいい女が現れる。奔放で情熱的な小さな台風、波子を中心にヒロシ、マサシ、カッチャンに奇妙な友情が生まれ始めた頃、稲村ヶ崎に台風が近づいていたーー。単なる映画音楽の枠を超えた10数曲を書きおろし、「音楽と画が均等に存在する映画」を徹底して追い求めた、桑田佳祐の初監督作品である。
Producer
Zazie, one time rock star on the move, has retired at a young age to Shibaura, the semiderelict "waterfront" area of Tokyo. Now he spends his time recording his own life on video. But he can't shake his "fans": members of his former band want a reunion concert, his ex-girlfriend Megumi won't let go, office girls and snack-bar waitresses continue to idolize him. Most disturbing, the taciturn and vaguely threatening Sunada watches him day and night. But Zazie yields to no one, commits to nothing. On the one side, mounting expectation and burgeoning fantasy; on the other, indecision, introspection and silence. Something's gotta give…
Producer
In a small town, high school students in their final year try to balance their studies while also playing together in a rock band.
Producer
All the protagonists move about in a Tokyo Bar that has an entire wall taken up with a black-and-white reproduction of a photo of Monument Valley. The action starts as Billy the Kid, in full living color, walks out of the photo and gets a job as a waiter. Along with him on the working staff are a samurai straight out of the history books, a G.I. from World War II, and several other anachronistic characters. The plot (as such) revolves around keeping away the brutal mobsters and thugs who dominate the city streets outside of the bar, making the tavern safe for its easily recognized facsimiles of well-known characters.
Producer
Action film about a bank robbery.
Editor
Ryo once rode with a biker gang; ever since his friend Tetsuji died riding in September, he's retired from biking, trying to forget the past.
Producer
Film director Shunichi Nagasaki reflects on a near-fatal motorcycle accident that occurred while shooting his commercial feature debut The Lonely Hearts Club Band in September.